History of Sweden between 400 AD - 539 AD
The Migration Period was in general a period of intensified human migration in Europe from about 400 to 800 AD. The changes in material culture marking the start of the Migration Period appear to coincide with the arrival of the Huns on the continental stage. A brief tumultuous phase ensued during which Western Rome collapsed and Eastern Rome held the barbarians at bay only through enormous peace payments. As a consequence, the Scandinavian elite of the time was inundated with gold. It was used to produce some very fine goldsmith work including filigree collars and bracteate pendants. The memory of this Golden Age reverberates through all the main early Germanic poetry cycles, including Beowulf and the Niebelungenlied.
Another feature of the Migration Period that had far-reaching consequences was the development of the first Scandinavian animal art. Inspired by provincial Roman chip-carved belt mounts decorated with lions and dolphins along the edges, Scandinavian artisans of the Migration Period developed first the Nydam Style, and then the highly abstract and sophisticated Style I from c. 450 onward.
The Migration Period was long believed to have been a time of crisis and devastation in Scandinavia. In recent decades, however, scholarship has gravitated to the view that the period was in fact one of prosperity and glorious elite culture, but that it ended with a severe crisis, possibly having to do with the AD 535-536 atmospheric dust event and the concomitant famine.
References: Wikipedia
Previous historical period: Roman Iron Age (0-399) | Next historical period: Vendel Period (540-789) Ystad, Sweden
500-1000 AD
Gamla Uppsala, Uppsala, Sweden
400-500 AD
Degerhamn, Öland, Sweden
400 AD
Färjestaden, Öland, Sweden
500 AD
Viksjö, Sweden
500 AD
Kristinehamn, Sweden
500 AD
Tidan, Sweden
500 - 1000 AD
Arboga, Sweden
400-550 AD
Blomsholm, Sweden
400 - 600 AD
Uppsala, Sweden
500-1100 AD
Knivsta, Sweden
500-1000 AD
Högom, Sweden
500 AD
Uddevalla, Sweden
500 AD
Sandby, Sweden
c. 480 AD
Upplands Väsby, Sweden
400-500 AD
Mörbylånga, Sweden
400 AD
Fagersta, Sweden
500 AD
Åtvidaberg, Sweden
6th century
Domsjö, Sweden
400-600 AD
Grillby, Sweden
500-1000 AD
Kil, Sweden
400-500 AD
Pålsboda, Sweden
400-600 AD
Kumla, Sweden
400-1050 AD
Ronneby, Sweden
500-700 AD
The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.