Migration Period

History of Sweden between 400 AD - 539 AD

The Migration Period was in general a period of intensified human migration in Europe from about 400 to 800 AD. The changes in material culture marking the start of the Migration Period appear to coincide with the arrival of the Huns on the continental stage. A brief tumultuous phase ensued during which Western Rome collapsed and Eastern Rome held the barbarians at bay only through enormous peace payments. As a consequence, the Scandinavian elite of the time was inundated with gold. It was used to produce some very fine goldsmith work including filigree collars and bracteate pendants. The memory of this Golden Age reverberates through all the main early Germanic poetry cycles, including Beowulf and the Niebelungenlied.

Another feature of the Migration Period that had far-reaching consequences was the development of the first Scandinavian animal art. Inspired by provincial Roman chip-carved belt mounts decorated with lions and dolphins along the edges, Scandinavian artisans of the Migration Period developed first the Nydam Style, and then the highly abstract and sophisticated Style I from c. 450 onward.

The Migration Period was long believed to have been a time of crisis and devastation in Scandinavia. In recent decades, however, scholarship has gravitated to the view that the period was in fact one of prosperity and glorious elite culture, but that it ended with a severe crisis, possibly having to do with the AD 535-536 atmospheric dust event and the concomitant famine.

References: Wikipedia

Previous historical period: Roman Iron Age (0-399) | Next historical period: Vendel Period (540-789)

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Argos Theater

The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.

The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.

Around 120 CE, both theaters were renovated in the Roman style.