The Royal mounds (Kungshögarna) is the name for the three large barrows which are located in Gamla (Old) Uppsala. According to ancient mythology and folklore, it would be the three gods Thor, Odin and Freyr lying in Kungshögarna. In the 19th and 20th centuries, they were speculated to hold the remains of three kings of the legendary House of Ynglings and where thus known by the names Aun's Mound, Adil's Mound and Egil's Mound. Today their geographical locations are instead used and they are called the Eastern mound, Middle Mound and Western Mound.
Mounds are dated to the 5th and 6th centuries. As Sweden's oldest national symbols they are even depicted on the covers of books about the Swedish national identity. In the 6th century, Gamla Uppsala was the location of royal burials. The location was chosen carefully and in order to make them majestic. The tumuli were constructed on top of the ridge.
By burning the dead king and his armour, he was moved to Valhalla by the consuming force of the fire. The fire could reach temperatures of 1500 °C. The remains were covered with cobblestones and then a layer of gravel and sand and finally a thin layer of turf.
Archaeologists have excavated lot of significant remains from mounds. There have been many fragments of decorated bronze panels with a dancing warrior carrying a spear In the eastern mound. These panels have probably adorned a helmet of the Vendel Age type, common in Uppland. There were also finds of gold which probably had adorned a scramasax, but according to another interpretation, they were part of a belt. The dead was also given several glass beakers, a tafl game, a comb and a hone.
In the western mound were found the remains of a man and animals, probably for food during the journey. The remains of a warrior equipment were found. Luxurious weapons and other objects, both domestic and imported, show that the buried man was very powerful. These remains include a Frankish sword adorned with gold and garnets and a board game with Roman pawns of ivory. He was dressed in a costly suit made of Frankish cloth with golden threads, and he wore a belt with a sumptuous buckle. There were four cameos from the Middle East which were probably part of a casket. The finds show the distant contacts of the people of Uppland in the 6th century.
Gamla Uppsala Museum, and its exhibition hall adjacent to the Kings' Mounds, was inaugurated in the summer of 2000. On display are finds from the royal mounds, tales of the ancient dynasties and pagan gods, and models of the landscape as it looked through history. There are also models, slideshows, audio recordings, and children's corner.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.