The Church of St. Elizabeth, commonly known as Blue Church is consecrated to Elisabeth of Hungary, daughter of Andrew II, who grew up in the Pressburg Castle (pozsonyi vár). It is called 'Blue Church' because of the colour of its façade, mosaics, majolicas and blue-glazed roof.
The one-nave church was built in 1907-1908, four years after the plans of Ödön Lechner to build a church in the Hungarian Art Nouveau style. The so-called Hungarian secessionist style forms dominate in the church. Lechner also drew plans of the neighbouring high school and of the vicarage.
The ground floor of the church is oval. In the foreground there is a 36.8 metre high cylindrical church tower. At first, a cupola was planned, but was never constructed; instead, a barrel vault was built, topped by a hip roof. The roof is covered with glazed bricks with decoration, for the purpose of parting.
The main and side entrances are enclosed with Romanesque double-pillars, which have an Oriental feeling. Pillars are also located near the windows. The façade was at first painted with light pastel colours. Later the church got its characteristic blue colour. A line of blue tiles and wave-strip encircles the church.
The interior is richly decorated with altarpieces. On the altar there is an illustration of St Elizabeth, depicted giving alms to the poor.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.