Top historic sites in Guernsey
Town Church
Originally known as Sancti Petri de Portu, many regard the Town Church as the Cathedral Church and the finest in the Channel Islands. The first mention of the church in official documents was in 1048 when it is thought to have been given to the Abbot of Marmoutier by William of Normandy. It is likely that the original building was made of wood. The current building was built over a 200 year period with the chancel complet ...Castle Cornet
Formerly a tidal island, Cornet Rock was first fortified as a castle between 1206 and 1256, following the division of the Duchy of Normandy in 1204. In 1339 when a French force captured the island and occupied it for several years, Cornet was besieged and captured, and the garrison massacred. With the advent of cannon and gunpowder, the castle was remodelled between 1545 and 1548. Prof. John Le Patourel, in The Building o ...Little Chapel
The Little Chapel created in July 1914 by Brother Déodat. He planned to create a miniature version of the grotto and basilica at Lourdes, the Rosary Basilica. It has been said that it is the smallest functioning chapel in Europe, if not the world, and it is believed to be the world’s smallest consecrated church. The chapel was originally 9 feet long by 4.5 feet wide. After taking criticism from other brother ...Fort Grey
Fort Grey is a Martello tower located on a rock in Rocquaine Bay. It was previously the site of local witches' Sabbaths. The existing fort, with its white tower was originally built as a defence by the British in 1804 during the Napoleonic Wars, it was named after Charles Grey, 1st Earl Grey, who was Governor of Guernsey from 1797 to 1807. The Fort Grey tower, like the other two Guernsey Martello towers, Fort Saumarez an ...Sausmarez Manor
The first mention of the de Sausmarez family in Guernsey is at the consecration of the Vale church in 1115 followed by a letter dated 1254 in which Prince Edward, Lord of the Isles, afterwards King Edward I, ordered an enquiry into the rights of the Abbot and Monks of St. Michel to 'wreck' in the Islands of Guernsey and Jersey. Of this oldest manor house only a fragment remains. Its rough but remarkably solid st ...Victoria Tower
Victoria Tower is a monument erected in honor of a visit by Queen Victoria and Prince Albert to the island in 1846. As the 1846 royal visit was the first time a reigning monarch had ever visited the island, a small granite stone was laid to mark where the queen had first stepped ashore in St Peter Port harbour. The following year, the architect William Colling was asked to draw up plans for a tower to commemorate the mona ...Castel Church
Pagans, Pirates and Romans have all been linked with the site now occupied by Castel Church. Outside the main door can be seen the Neolithic Statue Menhir found under the floor of the church during the 19th century. At its foot lie the stone seats for the official of the medieval court of Fief St Michel. The church of ‘Our Lady of Deliverance’ to use its ancient title, was first mentioned in a papal document d ...Fort Hommet
Fort Hommet (or Fort Houmet) was built on the site of fortifications dating back to 1680, and consists of a Martello tower from 1804, later additions during the Victorian Era, and bunkers and casemates that the Germans constructed during World War II. The Martello tower was constructed after the onset of the Napoleonic Wars, and during the tenure (1803-1813) of Lieutenant GovernorGeneral Sir John Doyle. To simplify matte ...La Varde Passage Grave
La Varde is an 11m long bottle shaped passage grave with 6 capstones and a small oval recess towards the rear. It dates back to Neolithic Age (3000-2500 BC). Originally covered by a mound 18m in diameter and a peristalith. The mound has been partially restored and two capstones are supported by modern pillars. Two layers of paving were recorded above and between which burnt and unburnt human bones, limpet shells and pebbl ...St. Saviour's Church
St. Saviour"s is the largest of the Guernsey country churches and stands at the top of a valley overlooking the reservoir. Part of this impressive church was built in the 12th century but most of it dates to the 14th and 15th centuries. It took five months to construct and was dedicated and consecrated on 30 May 1154. However, the first mention of St Saviour"s Church is in a charter from about 1030. On Sunday ...Vale Church
Vale Church is one of Guernsey"s most ancient churches and a former priory. Somewhere around A.D. 968, monks, from the Benedictine monastery of Mont Saint-Michel, came to Guernsey to establish a community in the North of the Island. This area of Guernsey would form a separate island at high tide, and continued to do so until 1806. The last remaining stonework is a piece of buttressed wall to the South of the church, by th ...Le Déhus
Le Déhus is a fine Neolithic bottle shaped Passage Chamber with four side chambers off the entrance passage. Today there are six side chambers but two were erronously constructed during restoration. Side chamber first on the right was found to contain the bones of two individuals, kneeling side by side and facing in opposite directions, their bodies being supported by tightly packed earth and shells. The sixth cap ...St. Sampson's Church
St. Sampson"s Church is dedicated to Samson of Dol, who brought Christianity to Guernsey in about 550 AD. Claimed to be the oldest Parish Church in the Island, the church stands on or near the site where St Sampson first landed as a pioneer missionary from Dol, in Brittany, about the year 550 AD, and has been a Christian site for worship ever since. The present church dates from the 12th century, at which time it co ...Featured Historic Landmarks, Sites & Buildings
Historic Site of the week
Quimper Cathedral
From 1239, Raynaud, the Bishop of Quimper, decided on the building of a new chancel destined to replace that of the Romanesque era. He therefore started, in the far west, the construction of a great Gothic cathedral which would inspire cathedral reconstructions in the Ile de France and would in turn become a place of experimentation from where would later appear ideas adopted by the whole of lower Brittany. The date of 1239 marks the Bishop’s decision and does not imply an immediate start to construction. Observation of the pillar profiles, their bases, the canopies, the fitting of the ribbed vaults of the ambulatory or the alignment of the bays leads us to believe, however, that the construction was spread out over time.
The four circular pillars mark the start of the building site, but the four following adopt a lozenge-shaped layout which could indicate a change of project manager. The clumsiness of the vaulted archways of the north ambulatory, the start of the ribbed vaults at the height of the south ambulatory or the choice of the vaults descending in spoke-form from the semi-circle which allows the connection of the axis chapel to the choir – despite the manifest problems of alignment – conveys the hesitancy and diverse influences in the first phase of works which spread out until the start of the 14th century.
At the same time as this facade was built (to which were added the north and south gates) the building of the nave started in the east and would finish by 1460. The nave is made up of six bays with one at the level of the facade towers and flanked by double aisles – one wide and one narrow (split into side chapels) – in an extension of the choir arrangements.
The choir presents four right-hand bays with ambulatory and side chapels. It is extended towards the east of 3-sided chevet which opens onto a semi-circle composed of five chapels and an apsidal chapel of two bays and a flat chevet consecrated to Our Lady.
The three-level elevation with arches, triforium and galleries seems more uniform and expresses anglo-Norman influence in the thickness of the walls (Norman passageway at the gallery level) or the decorative style (heavy mouldings, decorative frieze under the triforium). This building site would have to have been overseen in one shot. Undoubtedly interrupted by the war of Succession (1341-1364) it draws to a close with the building of the lierne vaults (1410) and the fitting of stained-glass windows. Bishop Bertrand de Rosmadec and Duke Jean V, whose coat of arms would decorate these vaults, finished the chancel before starting on the building of the facade and the nave.
Isolated from its environment in the 19th century, the cathedral was – on the contrary – originally very linked to its surroundings. Its site and the orientation of the facade determined traffic flow in the town. Its positioning close to the south walls resulted in particuliarities such as the transfer of the side gates on to the north and south facades of the towers: the southern portal of Saint Catherine served the bishop’s gate and the hospital located on the left bank (the current Préfecture) and the north gate was the baptismal porch – a true parish porch with its benches and alcoves for the Apostles’ statues turned towards the town, completed by an ossuary (1514).
The west porch finds its natural place between the two towers. The entire aesthetic of these three gates springs from the Flamboyant era: trefoil, curly kale, finials, large gables which cut into the mouldings and balustrades. Pinnacles and recesses embellish the buttresses whilst an entire bestiary appears: monsters, dogs, mysterious figures, gargoyles, and with them a whole imaginary world promoting a religious and political programme. Even though most of the saints statues have disappeared an armorial survives which makes the doors of the cathedral one of the most beautiful heraldic pages imaginable: ducal ermine, the Montfort lion, Duchess Jeanne of France’s coat of arms side by side with the arms of the Cornouaille barons with their helmets and crests. One can imagine the impact of this sculpted decor with the colour and gilding which originally completed it.
At the start of the 16th century the construction of the spires was being prepared when building was interrupted, undoubtedly for financial reasons. Small conical roofs were therefore placed on top of the towers. The following centuries were essentially devoted to putting furnishings in place (funeral monuments, altars, statues, organs, pulpit). Note the fire which destroyed the spire of the transept cross in 1620 as well as the ransacking of the cathedral in 1793 when nearly all the furnishings disappeared in a « bonfire of the saints ».
The 19th century would therefore inherit an almost finished but mutilated building and would devote itself to its renovation according to the tastes and theories of the day.