St. Saviour's is the largest of the Guernsey country churches and stands at the top of a valley overlooking the reservoir. Part of this impressive church was built in the 12th century but most of it dates to the 14th and 15th centuries. It took five months to construct and was dedicated and consecrated on 30 May 1154. However, the first mention of St Saviour's Church is in a charter from about 1030.
On Sunday 30 January 1658, the tower was struck by lightning whilst the congregation were still inside. They were thrown to the ground and some were so badly shocked that they were unable to walk home. The tower was rebuilt in the 17th century following the damage from lightning. In the 18th century the vestry was added and held the parish artillery.
During the occupation, the Germans used the Church's impressive 35m high spire as a lookout post and also constructed an extensive network of tunnels under the Church it. Russian and Polish slave labour was used to carve the tunnels out of the granite rock. The tunnels were used as ammunition stores as the Germans thought it unlikely that the allies would bomb a church. The churchyard has a number of interesting items, including one statue which is a Christianised menhir with a cross incized on its face. There is also a stone bench which was used as a meeting place for the Lord of the manor, Fief Jean Gaillard and the oldest gravestone belongs to a Nicholas Torode who died in 1602.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.