The Benedictine monastery of Santa Cristina de Ribas de Sil has its origin in the 10th century. It was first an independent monastery and after the improvements in the 16th century, it remains today as a priory dependent on the monastery of San Esteban de Ribas de Sil. At this time the cloister was improved and the paintings in the church were made. It was one of the most important monasteries of the Ribeira Sacra during the Middle Ages, as it is shown by the vestiges of the roads that are still kept. The monks spent their time cultivating chestnut tree and the vine. The confiscation meant the total abandonment of the place.
It keeps its Romanesque church of the end of the 12th century and beginning of the 13th. It has a Latin cross plan. The front is made up of three semicircular apses, being the central higher than the side apses. The facade is divided into two sections. In the upper, the beautiful openwork rosette stands out. The facade is flared.
The monastery has three simple archivolts decorated with chess motifs on the trim. The decoration of the capitals is mainly vegetal. The tympanum is flat. Inside, the nave is covered with a wooden roof gable which rests on a few pointed arches resting on corbels, which are decorated with geometric shapes and balls. In the central apse the monastery keeps Renaissance wall paintings, from the 16th century. We can see on them the Virgin and San Juan, accompanied by Santo Domingo, San Antonio and St. Thomas. In the upper section, there are Saint Lucia and Santa Barbara. The Romanesque altar is kept in one of the side chapels.
Little remains from the rooms where the monks used to live. In the cloister, only two wings with arches on a continuous base of great sobriety are kept. It was carried out during the improvements of the 16th century.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.