Einsiedeln Abbey is a Benedictine monastery in the village of Einsiedeln. The abbey is dedicated to Our Lady of the Hermits, the title being derived from the circumstances of its foundation, for the first inhabitant of the region was Saint Meinrad, a hermit. It has been a major resting point on the Way of St. James for centuries.
According a legend, Eberhard, previously Provost of Strassburg, erected in 934 a monastery and church there, of which he became first abbot. The church was consecrated in 948, by Christ himself assisted by the Four Evangelists, St. Peter, and St. Gregory the Great. This event was investigated and confirmed by Pope Leo VIII and subsequently ratified by many of his successors, the last ratification being by Pope Pius VI in 1793, who confirmed the acts of all his predecessors.
In 965 Gregory, the third Abbot of Einsiedeln, was made a prince of the Holy Roman Empire by Emperor Otto I, and his successors continued to enjoy the same dignity up to the cessation of the empire in the beginning of the 19th century. In 1274 the abbey, with its dependencies, was created an independent principality by Rudolf I of Germany, over which the abbot exercised temporal as well as spiritual jurisdiction. It remained independent until 1798, the year of the French invasion. It is still a territorial abbey, meaning that it is located in a territory that is not part of any diocese which the abbot governs 'as its proper pastor' (Canon 370, Codex Juris Canonici) with the same authority as a diocesan bishop.
For the learning and piety of its monks, Einsiedeln has been famous for a thousand years, and many saints and scholars have lived within its walls. The study of letters, printing, and music have greatly flourished there, and the abbey has contributed largely to the glory of the Benedictine Order. It is true that discipline declined somewhat in the fifteenth century and the rule became relaxed, but Ludovicus II, a monk of St. Gall who was Abbot of Einsiedeln 1526-44, succeeded in restoring the stricter observance.
In the 16th century the religious disturbances caused by the spread of the Protestant Reformation in Switzerland were a source of trouble for some time. Zwingli himself was at Einsiedeln for a while, and used the opportunity for protesting against the famous pilgrimages, but the storm passed over and the abbey was left in peace. Abbot Augustine I (1600–29) was the leader of the movement which resulted in the erection of the Swiss Congregation of the Order of St. Benedict in 1602, and he also did much for the establishment of unrelaxed observance in the abbey and for the promotion of a high standard of scholarship and learning amongst his monks.
The pilgrimages, just mentioned, which have never ceased since the days of St Meinrad, have tended to make Einsiedeln the rival even of Rome, the Holy House of Loreto and Santiago de Compostela, serving as a major stopping point on the Way of St. James leading there. Pilgrimages constitute one of the features for which the abbey is chiefly celebrated. The pilgrims number around one million, from all parts of Catholic Europe or even further. The statue of Our Lady from the 15th century, enthroned in the little chapel erected by Eberhard, is the object of their devotion. It is the subject of the earliest preserved print of pilgrimage, by the Master E.S. in 1466. The chapel stands within the great abbey church, in much the same way as the Holy House at Loreto is encased in a marble shrine and is elaborately decorated.
September 14 and October 13 are the chief pilgrimage days, the former being the anniversary of the miraculous consecration of Eberhard's basilica and the latter that of the translation of St Meinrad's relics from Reichenau Island to Einsiedeln in 1039. The millennium of St Meinrad was kept there with great splendour in 1861 as well as that of the Benedictine monastery in 1934. The great church has been many times rebuilt, the last time by Abbot Maurus between the years 1704 and 1719. The last big renovation ended after more than twenty years in 1997. The library contains nearly 250,000 volumes and many priceless manuscripts. The work of the monks is divided chiefly between prayer, work and study.References:
The Church of St Eustace was built between 1532-1632. St Eustace"s is considered a masterpiece of late Gothic architecture. The church’s reputation was strong enough of the time for it to be chosen as the location for a young Louis XIV to receive communion. Mozart also chose the sanctuary as the location for his mother’s funeral. Among those baptised here as children were Richelieu, Jeanne-Antoinette Poisson, future Madame de Pompadour and Molière, who was also married here in the 17th century. The last rites for Anne of Austria, Turenne and Mirabeau were pronounced within its walls. Marie de Gournay is buried there.
The origins of Saint Eustache date back to 13th century. The church became a parish church in 1223, thanks to a man named Jean Alais who achieved this by taxing the baskets of fish sold nearby, as granted by King Philip Augustus. To thank such divine generosity, Alais constructed a chapel dedicated to Sainte-Agnès, a Roman martyr. The construction of the current church began in 1532, the work not being finally completed until 1637. The name of the church refers to Saint Eustace, a Roman general of the second century AD who was burned, along with his family, for converting to Christianity, and it is believed that it was the transfer of a relic of Saint Eustache from the Abbey to Saint-Denis to the Church of Saint Eustache which resulted in its naming. Jeanne Baptiste d"Albert de Luynes was baptised here.
According to tourist literature on-site, during the French Revolution the church, like most churches in Paris, was desecrated, looted, and used for a time as a barn. The church was restored after the Revolution had run its course and remains in use today. Several impressive paintings by Rubens remain in the church today. Each summer, organ concerts commemorate the premieres of Berlioz’s Te Deum and Liszt’s Christus here in 1886.
The church is an example of a Gothic structure clothed in Renaissance detail. The church is relatively short in length at 105m, but its interior is 33.45m high to the vaulting. At the main façade, the left tower has been completed in Renaissance style, while the right tower remains a stump. The front and rear aspects provide a remarkable contrast between the comparatively sober classical front and the exuberant rear, which integrates Gothic forms and organization with Classical details. The L"écoute sculpture by Henri de Miller appears outside the church, to the south. A Keith Haring sculpture stands in a chapel of the church.
The Chapel of the Virgin was built in 1640 and restored from 1801 to 1804. It was inaugurated by Pius VII on the 22nd of December, 1804 when he came to Paris for the coronation of Napoleon. The apse chapel, with a ribbed cul-de-four vault, has at its centre a sculpture of the Virgin and Child of Jean-Baptiste Pigalle that the painter Thomas Couture highlighted by three large paintings.
With 8,000 pipes, the organ is reputed to be the largest pipe organ in France, surpassing the organs of Saint Sulpice and Notre Dame de Paris. The organ originally constructed by P.-A. Ducroquet was powerful enough for the premiere of Hector Berlioz" titanic Te Deum to be performed at St-Eustache in 1855.