The first Spreuerbrücke bridge was constructed in the 13th century to connect the Mühlenplatz (Mill Place) on the right bank of the Reuss with the mills in the middle of the river. The extension of the bridge to the left bank was completed only in 1408. This was the only bridge in Lucerne where it was allowed to dump chaff and leaves into the river, as it was the bridge farthest downriver. The bridge was destroyed by a flood in 1566 and then rebuilt, together with a granary as the bridge head, called the Herrenkeller.
The pediments of the Spreuer Bridge contain paintings in the interior triangular frames, which is a feature unique to the wooden bridges of Lucerne. In the case of the Spreuer Bridge, the paintings form a Danse Macabre, known as Totentanz in German, which was created from 1616 to 1637 under the direction of painter Kaspar Meglinger. It is the largest known example of a Totentanz cycle. Of the 67 original paintings, 45 are still in existence. Most of the paintings contain the coat of arms of the donor in the lower left corner and to the right the coat of arms of the donor's wife. The black wooden frames bear explanations in verse and the names of the donors. The paintings also contain portraits of the donors and other exponents of Lucerne society. The painters of Lucerne knew the woodcuts by Hans Holbein the Younger but were more advanced in their painting technique. The images and texts of the Lucerne Danse Macabre are intended to highlight that there's no place in the city, in the country or at sea where death isn't present.References:
Easter Aquhorthies stone circle, located near Inverurie, is one of the best-preserved examples of a recumbent stone circle, and one of the few that still have their full complement of stones. It consists of a ring of nine stones, eight of which are grey granite and one red jasper. Two more grey granite stones flank a recumbent of red granite flecked with crystals and lines of quartz. The circle is particularly notable for its builders' use of polychromy in the stones, with the reddish ones situated on the SSW side and the grey ones opposite.
The placename Aquhorthies derives from a Scottish Gaelic word meaning 'field of prayer', and may indicate a 'long continuity of sanctity' between the Stone or Bronze Age circle builders and their much later Gaelic successors millennia later. The circle's surroundings were landscaped in the late 19th century, and it sits within a small fenced and walled enclosure. A stone dyke, known as a roundel, was built around the circle some time between 1847 and 1866–7.