The first Spreuerbrücke bridge was constructed in the 13th century to connect the Mühlenplatz (Mill Place) on the right bank of the Reuss with the mills in the middle of the river. The extension of the bridge to the left bank was completed only in 1408. This was the only bridge in Lucerne where it was allowed to dump chaff and leaves into the river, as it was the bridge farthest downriver. The bridge was destroyed by a flood in 1566 and then rebuilt, together with a granary as the bridge head, called the Herrenkeller.
The pediments of the Spreuer Bridge contain paintings in the interior triangular frames, which is a feature unique to the wooden bridges of Lucerne. In the case of the Spreuer Bridge, the paintings form a Danse Macabre, known as Totentanz in German, which was created from 1616 to 1637 under the direction of painter Kaspar Meglinger. It is the largest known example of a Totentanz cycle. Of the 67 original paintings, 45 are still in existence. Most of the paintings contain the coat of arms of the donor in the lower left corner and to the right the coat of arms of the donor's wife. The black wooden frames bear explanations in verse and the names of the donors. The paintings also contain portraits of the donors and other exponents of Lucerne society. The painters of Lucerne knew the woodcuts by Hans Holbein the Younger but were more advanced in their painting technique. The images and texts of the Lucerne Danse Macabre are intended to highlight that there's no place in the city, in the country or at sea where death isn't present.References:
Built around AD 90 to entertain the legionaries stationed at the fort of Caerleon (Isca), the impressive amphitheatre was the Roman equivalent of today’s multiplex cinema. Wooden benches provided seating for up to 6,000 spectators, who would gather to watch bloodthirsty displays featuring gladiatorial combat and exotic wild animals.
Long after the Romans left, the amphitheatre took on a new life in Arthurian legend. Geoffrey of Monmouth, the somewhat imaginative 12th-century scholar, wrote in his History of the Kings of Britain that Arthur was crowned in Caerleon and that the ruined amphitheatre was actually the remains of King Arthur’s Round Table.
Today it is the most complete Roman amphitheatre in Britain.