The Capuchin Catacombs of Palermo (Catacombe dei Cappuccini) are burial catacombs. Today they provide a somewhat macabre tourist attraction as well as an extraordinary historical record.
Palermo's Capuchin monastery outgrew its original cemetery in the 16th century and monks began to excavate crypts below it. In 1599 they mummified one of their number, recently dead brother Silvestro of Gubbio, and placed him into the catacombs.
The bodies were dehydrated on the racks of ceramic pipes in the catacombs and sometimes later washed with vinegar. Some of the bodies were embalmed and others enclosed in sealed glass cabinets. Monks were preserved with their everyday clothing and sometimes with ropes they had worn as a penance.
Originally the catacombs were intended only for the dead friars. However, in the following centuries it became a status symbol to be entombed into the Capuchin catacombs. In their wills, local luminaries would ask to be preserved in certain clothes, or even to have their clothes changed at regular intervals. Priests wore their clerical vestments, others were clothed according to the contemporary fashion. Relatives would visit to pray for the deceased and also to maintain the body in presentable condition.
The last friar interred into the catacombs was Brother Riccardo in 1871 but other famous people were still interred. The catacombs were officially closed in 1880 but tourists continued to visit. The last burials are from the 1920s. The catacombs contain about 8000 corpses and 1252 mummies that line the walls. The halls are divided into categories: Men, Women, Virgins, Children, Priests, Monks, and Professionals. Some bodies are better preserved than others. Some are set in poses; for example, two children are sitting together in a rocking chair. The coffins were accessible to the families of the deceased so that on certain days the family could hold their hands and they could 'join' their family in prayer.
The catacombs are open to the public and taking photographs inside is supposedly prohibited, with prominent signs making it clear to visitors that photography is not allowed. Iron grills have been installed to prevent tourists tampering or posing with the corpses.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.