The San Giovanni degli Eremiti church dates back to the 6th century. After the establishment of the Norman domination of southern Italy, it was returned to the Christians by Roger II of Sicily who, around 1136, entrusted it to the Benedictine monks of Saint William of Vercelli.
The church was extensively modified during the following centuries. A restoration held around 1880 attempted to restore its original medieval appearance.
The church is notable for its brilliant red domes, which show clearly the persistence of Arab influences in Sicily at the time of its reconstruction in the 12th century, the Arab-Norman culture. However, the red colour of the domes are not original, as they were restored in the present way at the end of the nineteenth century by an architect who found pieces of red plaster on the domes and therefore decided to paint all the domes in red.
The church lies with a flank on a square construction. The church is on the Latin Cross plan with a nave and two aisles and three apses. Each of the square spans is surmounted by a dome. The presbytery, ending with a niche, has also a dome.
The cloister, enriched by a luxurious garden, is the best preserved part of the ancient monastery. It has notable small double columns with capitals decorated by vegetable motifs, which support ogival arches. It also includes an Arab cistern.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.