The amphitheatre of Catania is the most complicated and largest of all the amphitheatres in Sicily. It was built in the Roman Imperial period, probably in the 2nd century AD, on the northern edge of the ancient city at the base of the Montevergine hill. Only a small section of the structure is now visible, below ground level, to the north of Piazza Stesicoro.
The external diameter was 125 x 105 metres, while the external circumference was 309 metres. From the theatre's dimensions it can be calculated to have held 15,000 spectators and almost double that number with the addition of wooden bleachers for standing spectators. According to an uncertain and unconfirmed tradition, it was intended that naumachiae (staged sea battles) take place in the amphitheatre, using the ancient aqueduct to fill the arena with water.
According to Cassiodorus, in the 5th century, Theodoric, King of the Ostrogoths, allowed the inhabitants of the city to spoliate the theatre for building material for the construction of stone buildings.
In the 13th century, according to tradition, the amphitheatre's vomitoria (entranceways) were used by the Angevins to enter the city during the Sicilian Vespers. In the following century, the entrances were walled up and the ruins were incorporated into the Aragonese fortifications (1302).
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.