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Castle Cary Castle is a fifteenth-century tower house. It is located near to the site of one of the principal forts of the Roman Antonine Wall.
The earliest known record of Castlecary may be from 1304 when a writ was sent from St Andrews to the sheriff of Stirling by King Edward I. It reportedly contained orders for the sheriff to bring all of the forces under his command to 'Chastel Kary'.
The tower, about 12 metres high, is thought have been built by Henry Livingstone of Myddillbynning being completed by 1480. Mary Queen of Scots is reported to have visited the castle with Mary Livingston and each to have planted a yew tree there. For the 16th and the early part of the 17th centuries it belonged to the Livingstones of Dunipace, and was then acquired by the Baillies. In 1730, the castle passed to Thomas Dunbar of Fingask, through his marriage to Bethia Baillie.
The castle was burned by a party of Jacobites during the 1715 rebellion. Later it was restored and today the site is a private residence with no public access. The antiquary Alexander Baillie was probably born in Castle Cary Castle, and it was from this castle that his sister, Lizzie, eloped with Donald Graham, a Highland farmer, by leaping into his plaid (Belted plaid). The castle later became the property of the Marquess of Zetland.
The castle originated as a rectangular tower with a lower wing, forming an L-shape, and was built from in the late 15th century, incorporating stone from the nearby Antonine fort. The antiquarian Hugo B. Millar, who lived there, claimed there were many such 'broached' stones all over the castle, and in other walls about the garden. The original wing was destroyed, then during the 17th century, a wing was added to the east of the tower; it bears the date 1679. This was two storeys high, and had an attic, as well as a turnpike stair. Both the main tower and the extension have a pitched roof and crow-stepped gables, and the original tower has a restored parapet which is crenellated. There is a machicolated projection at the east end of the north wall, at parapet level, although its defensive value would have been limited, as it was not placed above the entrance. It is, however, more likely that this feature is a Garderobe.
A turnpike stair leads from the north entrance to the parapet, where there is a cap-house from which the attic may be entered. There is a barrel-vaulted cellar on the ground floor. Traces of 18th century wall painting may be seen in the Hall, which also has the bases and moulded jambs of the fireplace. An iron grille, part of the original defences of the door, is preserved within.
Beneath the 17th-century extension, there is a 7.5-metre-wide ditch which was filled in for the construction of the wing. It may have been contemporary with the 1485 structure.
References:Roman Walls of Lugo are an exceptional architectural, archaeological and constructive legacy of Roman engineering, dating from the 3rd and 4th centuries AD. The Walls are built of internal and external stone facings of slate with some granite, with a core filling of a conglomerate of slate slabs and worked stone pieces from Roman buildings, interlocked with lime mortar.
Their total length of 2117 m in the shape of an oblong rectangle occupies an area of 1.68 ha. Their height varies between 8 and 10 m, with a width of 4.2 m, reaching 7 m in some specific points. The walls still contain 85 external towers, 10 gates (five of which are original and five that were opened in modern times), four staircases and two ramps providing access to the walkway along the top of the walls, one of which is internal and the other external. Each tower contained access stairs leading from the intervallum to the wall walk of town wall, of which a total of 21 have been discovered to date.
The defences of Lugo are the most complete and best preserved example of Roman military architecture in the Western Roman Empire.
Despite the renovation work carried out, the walls conserve their original layout and the construction features associated with their defensive purpose, with walls, battlements, towers, fortifications, both modern and original gates and stairways, and a moat.
Since they were built, the walls have defined the layout and growth of the city, which was declared a Historical-Artistic Ensemble in 1973, forming a part of it and becoming an emblematic structure that can be freely accessed to walk along. The local inhabitants and visitors alike have used them as an area for enjoyment and as a part of urban life for centuries.
The fortifications were added to UNESCO"s World Heritage List in late 2000 and are a popular tourist attraction.