Kelvingrove Art Gallery and Museum is one of Scotland's most popular visitor attractions. The museum has 22 galleries, housing a range of exhibits, including Renaissance art, taxidermy, and artifacts from ancient Egypt.
The gallery is located on Argyle Street, on the banks of the River Kelvin. The construction of Kelvingrove was partly financed by the proceeds of the 1888 International Exhibition held in Kelvingrove Park.
Kelvingrove was reopened by Her Majesty Queen Elizabeth II in 2006 after a three-year closure for major refurbishment and restoration.
The museum's collections came mainly from the McLellan Galleries and from the old Kelvingrove House Museum in Kelvingrove Park. It has one of the finest collections of arms and armour in the world and a vast natural history collection. The art collection includes many outstanding European artworks, including works by the Old Masters (Vecellio's Madonna and Child with Saint Jerome and Saint Dorothy, Rembrandt van Rijn, Gerard de Lairesse, and Jozef Israëls), French Impressionists (such as Claude Monet, Pierre-Auguste Renoir, Camille Pissarro, Vincent van Gogh and Mary Cassatt), Dutch Renaissance, Scottish Colourists and exponents of the Glasgow School.
The museum houses Christ of Saint John of the Cross by Salvador Dalí. The copyright of this painting was bought by the curator at the time after a meeting with Dalí himself. For a period between 1993 and 2006, the painting was moved to the St Mungo Museum of Religious Life and Art.
The museum also contains a large gift of the decorative arts from Anne Hull Grundy, an art collector and philanthropist, covering the history of European jewellery in the 18th and 19th centuries.
The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.