The Glasgow Necropolis is a Victorian age cemetery on a low but very prominent hill to the east of Glasgow Cathedral. Fifty thousand individuals have been buried here. Typical for the period, only a small percentage are named on monuments and not every grave has a stone. Approximately 3,500 monuments exist here.
Predating the cemetery, the statue of John Knox sitting on a column at the top of the hill, dates from 1825. The first burials were in 1832 in the extreme north-east on the lowest ground and were exclusively for Jewish burials.
Alexander Thomson designed a number of its tombs, and John Bryce and David Hamilton designed other architecture for the grounds.
The main entrance is approached by a bridge over what was then the Molendinar Burn. The bridge, which was designed by David Hamilton was completed in 1836. It became known as the 'Bridge of Sighs' because it was part of the route of funeral processions (the name is an allusion to the Bridge of Sighs in Venice). The ornate gates (by both David and James Hamilton) were erected in 1838, restricting access onto the bridge.
Three modern memorials lie between the gates and the bridge: a memorial to still-born children, a memorial to the Korean War and a memorial to Glaswegian recipients of the Victoria Cross.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.