Coddu Vecchiu is a Nuragic funerary monument located near Arzachena, dating from the Bronze Age. The site consists of a stele, stone megaliths and a gallery grave, and is one of the larger Nuragic Giants' graves on the island. The Nuraghe La Prisgiona is located nearby.
The site was excavated in 1966 by Editta Castaldi. Among the artifacts recovered were pans, bowls and plates with comb decoration, as well as vases with bent necks, and vase fragments of the early Nuragic Bonnanaro culture, suggesting the monument was constructed early in the Nuragic period c. 1800–1600 BC.
Coddu Vecchiu appears to have originally consisted of a cist, which was expanded during the middle Bronze Age c. 1800–1600 BC and covered with a gallery grave and the ornate stele portal stone and megaliths characteristic of Giants' graves. The stone forecourt consists of eleven granite stones arranged in a semicircle and measures about 12 meters across. It has been hypothesized that the semicircular arrangement of the stones may have been an attempt to harness the telluric current of the granite for rejuvenative purposes. The central stele stands about 4 meters high and contains the entrance into the tomb. The gallery grave extends behind the forecourt, measures about 10 meters long, and was probably once covered by a tumulus.
The upper portion of the stele was once taken by a local farmer and used as a plow, but it was soon recovered and restored to its place in the monument. Coddu Vecchiu is among the most well-preserved of Giants' graves, and continues to be a popular tourist attraction.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.