The large white-washed church in Daugård has a Romanesque choir and nave with late Gothic additions: a tower to the west and a porch to the south. The choir arch seems expanded in the late Gothic period and like the eastern part of the choir rebuilt in monk bricks.
Upon the north wall of the choir were in 1956 found fragmentaric Romanesque frescoes from c. 1200. The altarpiece is a typical work by Jens Hiernøe from c. 1800 with corintich pillars, vases and symbols. In the big field a painting from the late 1800s, a copy of Carl Bloch's Gethsemane. Chalice from 1692. Late Gothic ore candelabres. A fine Romanesque font with lions with characteristic manes, reflecting ornaments from the Viking period and connecting it to fonts in Ejstrup and Nr. Snede church. A pulpit in simple Renaissance from 1610 with Tuscany corner pillars, repaired in 1939.References:
Built around AD 90 to entertain the legionaries stationed at the fort of Caerleon (Isca), the impressive amphitheatre was the Roman equivalent of today’s multiplex cinema. Wooden benches provided seating for up to 6,000 spectators, who would gather to watch bloodthirsty displays featuring gladiatorial combat and exotic wild animals.
Long after the Romans left, the amphitheatre took on a new life in Arthurian legend. Geoffrey of Monmouth, the somewhat imaginative 12th-century scholar, wrote in his History of the Kings of Britain that Arthur was crowned in Caerleon and that the ruined amphitheatre was actually the remains of King Arthur’s Round Table.
Today it is the most complete Roman amphitheatre in Britain.