The large white-washed church in Daugård has a Romanesque choir and nave with late Gothic additions: a tower to the west and a porch to the south. The choir arch seems expanded in the late Gothic period and like the eastern part of the choir rebuilt in monk bricks.
Upon the north wall of the choir were in 1956 found fragmentaric Romanesque frescoes from c. 1200. The altarpiece is a typical work by Jens Hiernøe from c. 1800 with corintich pillars, vases and symbols. In the big field a painting from the late 1800s, a copy of Carl Bloch's Gethsemane. Chalice from 1692. Late Gothic ore candelabres. A fine Romanesque font with lions with characteristic manes, reflecting ornaments from the Viking period and connecting it to fonts in Ejstrup and Nr. Snede church. A pulpit in simple Renaissance from 1610 with Tuscany corner pillars, repaired in 1939.References:
The Amphitheatre of the Three Gauls was part of the federal sanctuary of the three Gauls dedicated to the cult of Rome and Augustus celebrated by the 60 Gallic tribes when they gathered at Lugdunum (Lyon). The amphitheatre was built at the foot of the La Croix-Rousse hill at what was then the confluence of the Rhône and Saône.
Excavations have revealed a basement of three elliptical walls linked by cross-walls and a channel surrounding the oval central arena. The arena was slightly sloped, with the building"s south part supported by a now-vanished vault. The arena"s dimensions are 67,6m by 42m. This phase of the amphitheatre housed games which accompanied the imperial cult, with its low capacity (1,800 seats) being enough for delegations from the 60 Gallic tribes.
The amphitheatre was expanded at the start of the 2nd century. Two galleries were added around the old amphitheatre, raising its width from 25 metres to 105 metres and its capacity to about 20,000 seats. In so doing it made it a building open to the whole population of Lugdunum and its environs.