The Egeskov Church chancel and nave are Romanesque, whilst the west tower and the porch on the south side date from the late Gothic period. Externally the chancel is highly ornate, the east wall including an attractive gable recess. After the Swedish wars 1657-60 the church was in ruins. The crucifix, which now hangs on the north wall of the nave, was the only thing to be spared. The altar piece, the pulpit and the font canopy together with the priest's chair and the gallery are Baroque works from the end of the 17th century.
The altar painting and the frame are date from 1703. The font is Romanesque. The bassin and the pichter are from 1990 and designed and made by the local silversmith Børge Poulsen, who also made the candle sticks in 1988.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.