Basilica of San Prudencio de Armentia is one of the most important Romanesque churches in the region. References during the late Middle Ages describe it as the most important spiritual centre in Álava. The current building is twelfth century Romanesque and has a Latin cross plan, a transept and a semicircular apse.
Originally dedicated to Saint Andrew and built on the remains of an 8th-century church, it was refurbished in 1776, destroying part of its original structure, although it retained its apse and other isolated elements such as its original door. In 1964, it was restored once again and today is considered one of the most important examples of medieval art.
Built with a Latin cross layout, the vaults over the apse and crossing of its two arms are of special interest. The bases of the arches of the second of these vaults contain four sculptures of the evangelists. The capitals of the church are decorated with plant and animal motifs, as well as battle scenes between horsemen and centaurs. Its atrium contains the remains of the original doorway. After being dismantled, stones from the doorway were embedded in the walls in a disorderly fashion: the tympanum of the Lamb and that of Christ with the Apostles and the bas-reliefs of the Harrowing of Hell and the Sepulchre of Jesus, which represents one of the best Romanesque sculptural groups in the Basque Country.
The Basilica contains the image of San Prudencio (Saint Prudence), Bishop of Tarazona and Justice of the Peace in Osma, born in Armentia and Patron Saint of Álava from 1644. On April 28 each year, celebrations are held in his honour in the form of a procession and open-air festival, held on the meadows that surround the church.
St. James's Way crosses the city and exits Vitoria through the district of Armentia. Consequently, this basilica was directly on the pilgrims' route.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.