The Chiesa degli Ottimati history is documented as early as the 10th century. The present name derives from a Norman confraternity that rebuilt the church, and dedicated it to the Virgin of the Annunciation. The Ottimati were a congregation of nobles founded by the Normans. Over time, these included the Filocamo, Griso, Altavilla and Borboni.
The original layout appears to have been a Greek cross, with multiple domes. The Normans under Roger II, built a church on top, eliminating many of the domes. On September 3, 1594 the church was damaged and burned during a sack of the town by Saracen raiders. In 1597, the church commissioned a new painting of the Annunciation by Agostino Ciampelli.
By the 18th century, the church was affiliated with the Jesuits, and a school was adjacent. With the suppression of the Jesuits in 1767, the church fell empty. It was damaged by earthquakes in 1783 and 1908. The church rebuilt after 1908 moved from the original location, and was completed in 1933, using a design by Pompilio Seno, who adopted a neo-Byzantine style with Arab-Norman elements. Some elements from the destroyed Norman basilica of Santa Maria di Terreti were used.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.