Maredret Abbey is a Benedictine nunnery, located on the edge of Marèdret, a very small village in the hilly countryside to the south of Charleroi and Namur. The abbey was inaugurated with the installation of seven nuns in 1893, and the abbey church was constructed between 1898 and 1907.
The abbey's foundation was part of the wider monastic revival of the nineteenth century. The project to establish a community of Benedictine nuns at Maredret was set in motion by Agnès de Hemptinne, a member of a local family of aristocrats. Land was provided by the Desclée family, and the first stone was put in place on 5 August 1891. Building was completed only in 1936, however. The monastery comprises a compact collection of stone buildings in a neo-gothic style, under a traditional slate roof.
The abbey church, completed in 1907, was one of the final projects of the fashionable Gothic revival Gent-based architect Auguste Van Assche. The interior and the windows have been described as remarkable. Later buildings were the work of a succession of local architects. The site of 15 hectares is surrounded by a high wall of rough stone, enhanced with two medieval style towers.
The abbey has become focused increasingly on crafts. The nuns have an expertise in the art of Illuminated manuscript, which may be applied to documents marking important stages in individual Christian lives: baptism, religious confirmation or conversion, marriage and burial. Religious imagery is an important part of the abbey's on-going life, along with artisanal regional food products.
In 2016, the nuns of the abbey began brewing beer to raise funds for repairs and maintenance. This made them the first nuns to do so, as beer brewing is traditionally to purview of monks.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.