The Castle of Guimarães was built under the orders of Mumadona Dias in the 10th century to defend the monastery from attacks by Moors and Norsemen. At the end of the 11th century the castle was heavily expanded and remodeled, under the direction of Count Henry, to act as his residence. The castle became the official royal residence from 1139, when Portugal became independent from the Kingdom of León, until circa 1200.
Between the end of the 13th and beginning of the 14th century, the castle was remodelled by King Denis, resulting in the form that stands to this day. In 1369, King Henry II of Castile invaded Portugal and encircled the castle of Guimarães, but was defeated by its population and forces. Sometime between 1383 and 1433, the two towers that flank the main entrance were order built by King John I of Portugal.
After the castle's demolition was abandoned in the 19th century, many of the houses, estates and lodgings around the castle were expropriated. The first attempts at restoration occurred during the mid-20th century.
Today Guimarães castle area is delineated by walls forming a pentagram, similar to a shield, that includes eight rectangular towers, military square and central keep. Originating in the foundations of a Roman structure, from the writings of Alfredo Guimarães, it was later elaborated on the French model, in its current the form of a shield, with reduced central yard and difficult accesses. It includes several Gothic characteristics, owing to its remodelling at the end of the 13th century, when the keep and residences were constructed (possibly over pre-existing structures).
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.