The necropolis in Boljuni has 274 stećak tombstones, 92 of which are decorated and 9 of which have epitaphs, making it one of the Bosnia's few large necropolises. Original motifs found in Boljuni are a lion, a woman cradling a child in her arms, stylized rosettes, fabulous lizard-like beasts, and a round dance with the leader riding a deer. Most of the monuments have been carved between 13th and early 16th centuries.
The necropolis is situated in the valley below the village houses, and distributed into two groups some 400 meters apart. In the surrounding area there are traces of Illyrians (fort and tumuli), and nearby there is the site Crikvina, probably from late antiquity, and the remains of the cemetery (early medieval).
The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.