Partly built starting in 1145, and then reconstructed over a 26-year period after the fire of 1194, Chartres Cathedral marks the high point of French Gothic art. The vast nave, in pure ogival style, the porches adorned with fine sculptures from the middle of the 12th century, and the magnificent 12th and 13th century stained-glass windows, all in remarkable condition, combine to make it a masterpiece.
The construction project used the plans laid out by the first architect in order to preserve the harmonious aspect of the cathedral. Work began first on the nave and by 1220 the main structure was complete, with the old crypt, the west towers and the west facade incorporated into the new building. On October 24, 1260, the cathedral was finally dedicated in the presence of King Louis IX and his family. Chartres Cathedral was never destroyed nor looted during the French Revolution and the numerous restorations never have altered its glorious beauty. It always stayed the same: a great triumph of Gothic art.
Not only is Chartres Cathedral one of the greatest achievements in the history of architecture, it is almost perfectly preserved in its original design and details. In addition to its architectural splendor, Chartres Cathedral has been a major pilgrimage destination since the early Middle Ages. Its venerable history, exquisitely preserved architecture, and centuries of fervent devotion make for an atmosphere of awe and holiness that impresses even the most nonreligious of visitors.
The cathedral was added to UNESCO's list of World Heritage Sites in 1979.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.