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The town of Atripalda is the home of the ruins of Abellinum, the Ancient Roman Avellino. A large than life-size Roman marble statue of a veiled priestess from Atripalda can be found in the British Museum's collection.
Before the Roman conquest, the Abellinum was a centre of the Samnite Hirpini. The city could correspond to the ancient Velecha, documented by coins found in the area. Abellinum was conquered by the Romans in 293 BC, changing name several times in the following centuries (Veneria, Livia, Augusta, Alexandriana, and Abellinatium). However, the construction of a true Roman town occurred only after the conquest by Lucius Cornelius Sulla in the civil wars in 89 BC. He razed the old site and in 82 BC founded the colony Veneria Abellinatium on the left bank of the river Sabato.
The new city was surrounded by massive walls and had an orthogonal hippodamian urban layout. In 7 AD Augustus changed its name to Livia Augusta in honour of his wife, Livia Drusilla who owned the territories between Abellinum and Aeclanum. In the 3rd century Alexander Severus expanded the colony under the title of Livia Augusta Alexandrina with a massive immigration of oriental settlers. This helped to spread ancient Levantine cults such as Sol Invictus in the territory.
There followed economic crises (III and IV centuries), violent earthquakes (346) and disastrous volcanic eruptions (472). The town was Christianised around 500, becoming an episcopal seat.
The ruins include the forum, faced by temples, baths, parts of the Serino aqueduct and a patrician domus. There was also an amphitheatre and a brothel.
The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.