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The town of Atripalda is the home of the ruins of Abellinum, the Ancient Roman Avellino. A large than life-size Roman marble statue of a veiled priestess from Atripalda can be found in the British Museum's collection.
Before the Roman conquest, the Abellinum was a centre of the Samnite Hirpini. The city could correspond to the ancient Velecha, documented by coins found in the area. Abellinum was conquered by the Romans in 293 BC, changing name several times in the following centuries (Veneria, Livia, Augusta, Alexandriana, and Abellinatium). However, the construction of a true Roman town occurred only after the conquest by Lucius Cornelius Sulla in the civil wars in 89 BC. He razed the old site and in 82 BC founded the colony Veneria Abellinatium on the left bank of the river Sabato.
The new city was surrounded by massive walls and had an orthogonal hippodamian urban layout. In 7 AD Augustus changed its name to Livia Augusta in honour of his wife, Livia Drusilla who owned the territories between Abellinum and Aeclanum. In the 3rd century Alexander Severus expanded the colony under the title of Livia Augusta Alexandrina with a massive immigration of oriental settlers. This helped to spread ancient Levantine cults such as Sol Invictus in the territory.
There followed economic crises (III and IV centuries), violent earthquakes (346) and disastrous volcanic eruptions (472). The town was Christianised around 500, becoming an episcopal seat.
The ruins include the forum, faced by temples, baths, parts of the Serino aqueduct and a patrician domus. There was also an amphitheatre and a brothel.
The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.