The Vyborg Municipal Library was built during the time of Finnish sovereignty between 1933-1935, before the Finnish city of Viipuri was anexed by the former USSR and its Finnish name was changed to Vyborg by the USSR political authorities. Aalto received the commission to design the library after winning first prize (with his proposal titled 'WWW') in an architectural competition for the building held in 1927. Aalto's design went through a profound transformation from the original architectural competition proposal designed in the Nordic Classicism style (owing much to Swedish architect Gunnar Asplund, especially his Stockholm City Library) to the severely functionalist building, completed eight years later in a purist modernist style.
The building is an internationally acclaimed design by the Finnish architect Alvar Aalto and one of the major examples of 1920s functionalist architectural design. It is considered one of the first manifestations of 'regional modernism'. It is particularly famous for its wave-shaped ceiling in the auditorium, the shape of which, Aalto argued, was based on acoustic studies. On the completion the library was known as Viipuri Library, but after the Second World War and Soviet anexion, the library was renamed the Nadezhda Krupskaya Municipal Library. Nowadays, integrated in the Russian Federation city of Vyborg, the library is known as The Central City Alvar Aalto Library.
The building had been damaged during World War II, and plans by the new Soviet authorities to repair it were proposed but never carried out. The building then remained empty for a decade, causing even more damage, including the destruction of the wave-shaped auditorium ceiling. During the 1950s schemes were drawn up for its restoration — including a version in the Stalinist classical style typical of the time — by architect Aleksandr Shver.
Until the coming to power of Mikhail Gorbachev, few people from Finland, let alone other Western countries, visited Vyborg, and there were many different accounts in Western architectural texts about the condition of the library, including erroneous reports of its complete destruction. The building is now included in the Russian Federation's list of objects of historical and cultural heritage.
In 1998, to mark the 100th anniversary of Aalto's birth, a 2×10-metre section of the auditorium ceiling was reconstructed, but it was taken down in 2008 to enable the reconstruction of the ceiling proper. In 2010 the State of Russia funded six million euros to restoration of the library. It was completed in October 2013 and the new opening will be held in 2014.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.