Örbyhus estate existed already in the 14th century, but the first castle was built by John Kristiernsson (Vasa) around then year 1450. It was a strong fortification with tower. Örbyhus remained in a possession of royal Vasa family until the end of 16th century. Gustav Vasa, who acquired Örbyhus through an exchange with his cousins in 1548, constructed the national fortress in the middle of Uppland complete with ramparts, moats and 54-foot-high stone walls around his grandfather’s stronghold tower. In Gustav Vasa’s castle there are many hidden passages and casemates with space for a garrison and stores for many years. The former King Erik XIV was imprisoned in Örbyhus until his death 1574-1577.
Gustav Banér, the governor of Västergötland, acquired Örbyhus in 1641 and rebuild the castle in the present form of a baroque castle. Örbyhus was owned at the beginning of the 18th century by de Geer at Leufsta, who made both Leufsta and Örbyhus the entailed estate of his nephew, the scientist Charles de Geer. During the 200 years that followed it was the names of de Geer, von Platen, de la Gardie, Klingspor and Barnekow that left their mark on Örbyhus.
In 1900 the castle was purchased by Count Carl Gustav von Rosen; it was taken over during the same year by Count Eugène von Rosen, who commissioned extensive restoration and decoration work for the building.
Today guided tours are arranged during most of the summer season of King Erik XIV’s prison, the castle park and the carriage museum.References:
The Church of the Savior on Spilled Blood is one of the main sights of St. Petersburg. The church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.
Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.
The Church contains over 7500 square metres of mosaics — according to its restorers, more than any other church in the world. The interior was designed by some of the most celebrated Russian artists of the day — including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.
In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.