Uppsala Cathedral

Uppsala, Sweden

Uppsala Cathedral is the largest and tallest cathedral and one of the most impressive religious buildings in Scandinavia. Originally built in the 13th century under Roman Catholicism and used for coronations of the Swedish monarch, since the Protestant Reformation, it has been controlled by the Lutheran Church of Sweden. It is the seat of the Archbishop of Uppsala, the primate of Sweden.

The construction of the cathedral started ca. 1287, when the archbishopric was moved from Old Uppsala. It took more than a century to complete. When inaugurated in 1435 under archbishop Olaus Laurentii, the cathedral was not completely finished. It was dedicated to Saint Lawrence, Saint Eric and Saint Olaf. It was completed within the following decades.

The cathedral was severely damaged in 1702 in a disastrous fire and restored near the turn of the 20th century. The twin spires were added between 1885-1893 by architect Helgo Zettervall. He replaced the small Baroque towers with tall (French-inspired) spires, including a third, smaller tower on the transept crossing in the same style. Zettervall also so significantly altered large portions of the medieval outer brick walls as to give it a slimmer appearance.

The interior ceiling and walls of the cathedral were decorated in neo-Gothic style. Some depictions, such as one of the Reformation's Martin Luther, added figures beyond the cathedral's medieval heritage. Large portions of cement additions by Zettervall to the exterior structure of the cathedral were removed decades later as they adversely affected the building's fabric. A sign denouncing antisemitism marks the position of the "Jewpig", a relief depicting Jews drinking from a sow.

The Cathedral has been the coronation church for many of Sweden's kings and queens. It was the site of celebrating coronations from the Middle Ages until the end of the 17th century. Thereafter, up until 1872 (when Oscar II was the last Swedish monarch to be ceremonially crowned), Stockholm's Cathedral Storkyrkan was the official coronation church.

A number of Swedish kings and notable people were buried inside the cathedral like Eric the Saint (he was actually killed in the cathedral in 1160), Gustav Vasa (d. 1560) and John III (d. 1592) with his wife Catherine Jagiellon. Other notable are Carolus Linnaeus, 18th century world-renowned botanist and Laurentius Petri, Sweden's first Lutheran archbishop. In the cathedral is also a small memorial to Dag Hammarskjöld, former Secretary-General of the United Nations.

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Details

Founded: 1287-1435
Category: Religious sites in Sweden
Historical period: Consolidation (Sweden)

Rating

4.6/5 (based on Google user reviews)

User Reviews

Elena Gonzalez (5 months ago)
Really beautiful place, from outside and inside! Is under remodeling but you can still go in and see the beautiful architecture and art!
Sabyasachi Guharoy (6 months ago)
A great place for calmness and peace. Not to forget the beautiful chandeliers. You can pay 10 kr and light a candle over there.
Goran A. (7 months ago)
Definitely the greatest landmark from Uppsala is this cathedral church which is imposing not just from the outside, but the interior is not to be underestimated as well. The Gothic architecture is simply captivating due to the size the cathedral has, and it is a must to go inside (free of charge) in order to see the gravestones and all important figures that are laid to rest here.
Rooz Izadi (11 months ago)
A beautiful cathedral with a landmark gothic architecture. It can get too crowded on Valborg’s eve and day. It’s a brilliant idea if you go to Uppsala a few days before the event to skip the crowds and have a more authentic experience. The cathedral is visible when you walk along the canal which creates a charming scene.
H N (12 months ago)
Beautiful, definitely worth a visit ?
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Veste Coburg

The Veste Coburg is one of Germany's largest castles. The hill on which the fortress stands was inhabited from the Neolithic to the early Middle Ages according to the results of excavations. The first documentary mention of Coburg occurs in 1056, in a gift by Richeza of Lotharingia. Richeza gave her properties to Anno II, Archbishop of Cologne, to allow the creation of Saalfeld Abbey in 1071. In 1075, a chapel dedicated to Saint Peter and Saint Paul is mentioned on the fortified Coberg. This document also refers to a Vogt named Gerhart, implying that the local possessions of the Saalfeld Benedictines were administered from the hill.

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In 1353, Coburg fell to Friedrich, Markgraf von Meißen of the House of Wettin. His successor, Friedrich der Streitbare was awarded the status of Elector of Saxony in 1423. As a result of the Hussite Wars the fortifications of the Veste were expanded in 1430.

Early modern times through Thirty Years' War

In 1485, in the Partition of Leipzig, Veste Coburg fell to the Ernestine branch of the family. A year later, Elector Friedrich der Weise and Johann der Beständige took over the rule of Coburg. Johann used the Veste as a residence from 1499. In 1506/07, Lucas Cranach the Elder lived and worked in the Veste. From April to October 1530, during the Diet of Augsburg, Martin Luther sought protection at the Veste, as he was under an Imperial ban at the time. Whilst he stayed at the fortress, Luther continued with his work translating the Bible into German. In 1547, Johann Ernst moved the residence of the ducal family to a more convenient and fashionable location, Ehrenburg Palace in the town centre of Coburg. The Veste now only served as a fortification.

In the further splitting of the Ernestine line, Coburg became the seat of the Herzogtum von Sachsen-Coburg, the Duchy of Saxe-Coburg. The first duke was Johann Casimir (1564-1633), who modernized the fortifications. In 1632, the fortress was unsuccessfully besieged by Imperial and Bavarian forces commanded by Albrecht von Wallenstein for seven days during the Thirty Years' War. Its defence was commanded by Georg Christoph von Taupadel. On 17 March 1635, after a renewed siege of five months' duration, the Veste was handed over to the Imperials under Guillaume de Lamboy.

17th through 19th centuries

From 1638-72, Coburg and the Veste were part of the Duchy of Saxe-Altenburg. In 1672, they passed to the Dukes of Saxe-Gotha and in 1735 it was joined to the Duchy of Saxe-Saalfeld. Following the introduction of Primogeniture by Duke Franz Josias (1697-1764), Coburg went by way of Ernst Friedrich (1724-1800) to Franz (1750-1806), noted art collector, and to Duke Ernst III (1784-1844), who remodeled the castle.

In 1826, the Duchy of Saxe-Coburg-Gotha was created and Ernst now styled himself 'Ernst I'. Military use of the Veste had ceased by 1700 and outer fortifications had been demolished in 1803-38. From 1838-60, Ernst had the run-down fortress converted into a Gothic revival residence. In 1860, use of the Zeughaus as a prison (since 1782) was discontinued. Through a successful policy of political marriages, the House of Saxe-Coburg and Gotha established links with several of the major European dynasties, including that of the United Kingdom.

20th century

The dynasty ended with the reign of Herzog Carl Eduard (1884-1954), also known as Charles Edward, Duke of Saxe-Coburg and Gotha, a grandson of Queen Victoria, who until 1919 also was the 2nd Duke of Albany in the United Kingdom. Under his rule, many changes made to the Veste in the 19th century were reversed under architect Bodo Ebhardt, with the aim of restoring a more authentic medieval look. Along with the other ruling princes of Germany, Carl Eduard was deposed in the revolution of 1918-1919. After Carl Eduard abdicated in late 1918, the Veste came into possession of the state of Bavaria, but the former duke was allowed to live there until his death. The works of art collected by the family were gifted to the Coburger Landesstiftung, a foundation, which today runs the museum.

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Today

The Veste is open to the public and today houses museums, including a collection art objects and paintings that belonged to the ducal family of Saxe-Coburg and Gotha, a large collection of arms and armor, significant examples of early modern coaches and sleighs, and important collections of prints, drawings and coins.