The University Main Building was built in the 1880s. Parliament had allocated funding, and King Oscar II laid the cornerstone in pouring rain on a spring day in 1879. The site was formerly occupied by a large academic riding building, which was torn down for the new edifice. On May 17, 1887 the building was inaugurated at a festive ceremony. The architect was Herman Teodor Holmgren.
What he created was a grand and stately structure in a sort of Romanesque Renaissance style. The strange thing is that, despite much modernizing and functional changes, we still experience largely the same building that visitors encountered in the 1880s. Its magnificent and spacious foyer with its light cupolas and the Grand Auditorium, which seats about 1800, gives us a good idea of the best of 19th-century Swedish architecture. Above the entrance to the Aula we read the often-quoted words of the 18th-century philosopher Thomas Thorild: “It is a great thing to think freely, but it is greater still to think correctly.”
There are many other grand rooms in the building. On the ground floor, the University Board convenes in a room with portraits of all the Swedish kings from Gustavus Wasa to Gustavus VI Adolphus. On the upper level there is the so-called Chancellor’s Room, where the University’s rector receives prominent guests. This room, like a series of other connecting rooms, is adorned with numerous portraits depicting kings, cultural figures, and above all professors who have been active at the University over the centuries. In one of the rooms there is a famous group picture representing the Faculty of Theology in 1911, with Nathan Söderblom as dean. The artist was Emerik Stenberg. Uppsala University’s art collection is one of the largest in the country owned by the Swedish state.
The University Main Building is also the venue for many academic ceremonies. Each year between 15 and 25 new full professors are solemnly inaugurated in the Grand Auditorium. Another ceremony steeped in atmosphere and tradition is the conferring of degrees, when the year’s recipients of doctor’s degrees receive their doctor’s hat or wreath of laurels—a tradition harking back to the year 1600.References:
Kerameikos was the potters" quarter of the city, from which the English word 'ceramic' is derived, and was also the site of an important cemetery and numerous funerary sculptures erected along the road out of the city towards Eleusis.
The earliest tombs at the Kerameikos date from the Early Bronze Age (2700-2000 BC), and the cemetery appears to have continuously expanded from the sub-Mycenaean period (1100-1000 BC). In the Geometric (1000-700 BC) and Archaic periods (700-480 BC) the number of tombs increased; they were arranged inside tumuli or marked by funerary monuments. The cemetery was used incessantly from the Hellenistic period until the Early Christian period (338 BC until approximately the sixth century AD).
The most important Athenian vases come from the tombs of the Kerameikos. Among them is the famous “Dipylon Oinochoe”, which bears the earliest inscription written in the Greek alphabet (second half of the eighth century BC). The site"s small museum houses the finds from the Kerameikos excavations.