The University Main Building was built in the 1880s. Parliament had allocated funding, and King Oscar II laid the cornerstone in pouring rain on a spring day in 1879. The site was formerly occupied by a large academic riding building, which was torn down for the new edifice. On May 17, 1887 the building was inaugurated at a festive ceremony. The architect was Herman Teodor Holmgren.
What he created was a grand and stately structure in a sort of Romanesque Renaissance style. The strange thing is that, despite much modernizing and functional changes, we still experience largely the same building that visitors encountered in the 1880s. Its magnificent and spacious foyer with its light cupolas and the Grand Auditorium, which seats about 1800, gives us a good idea of the best of 19th-century Swedish architecture. Above the entrance to the Aula we read the often-quoted words of the 18th-century philosopher Thomas Thorild: “It is a great thing to think freely, but it is greater still to think correctly.”
There are many other grand rooms in the building. On the ground floor, the University Board convenes in a room with portraits of all the Swedish kings from Gustavus Wasa to Gustavus VI Adolphus. On the upper level there is the so-called Chancellor’s Room, where the University’s rector receives prominent guests. This room, like a series of other connecting rooms, is adorned with numerous portraits depicting kings, cultural figures, and above all professors who have been active at the University over the centuries. In one of the rooms there is a famous group picture representing the Faculty of Theology in 1911, with Nathan Söderblom as dean. The artist was Emerik Stenberg. Uppsala University’s art collection is one of the largest in the country owned by the Swedish state.
The University Main Building is also the venue for many academic ceremonies. Each year between 15 and 25 new full professors are solemnly inaugurated in the Grand Auditorium. Another ceremony steeped in atmosphere and tradition is the conferring of degrees, when the year’s recipients of doctor’s degrees receive their doctor’s hat or wreath of laurels—a tradition harking back to the year 1600.References:
Augustusburg Palace represents one of the first examples of Rococo creations in Germany. For the Cologne elector and archbishop Clemens August of the House of Wittelsbach it was the favourite residence. In 1725 the Westphalian architect Johann Conrad Schlaun was commissioned by Clemens August to begin the construction of the palace on the ruins of a medieval moated castle.
In 1728, the Bavarian court architect François de Cuvilliés took over and made the palace into one of the most glorious residences of its time. Until its completion in 1768, numerous outstanding artists of European renown contributed to its beauty. A prime example of the calibre of artists employed here is Balthasar Neumann, who created the design for the magnificent staircase, an enchanting creation full of dynamism and elegance. The magical interplay of architecture, sculpture, painting and garden design made the Brühl Palaces a masterpiece of German Rococo.
UNESCO honoured history and present of the Rococo Palaces by inscribing Augustusburg Palace – together with Falkenlust Palace and their extensive gardens – on the World Heritage List in 1984. From 1949 onwards, Augustusburg Palace was used for representative purposes by the German Federal President and the Federal Government for many decades.
In 1728, Dominique Girard designed the palace gardens according to French models. Owing to constant renovation and care, it is today one of the most authentic examples of 18th century garden design in Europe. Next to the Baroque gardens, Peter Joseph Lenné redesigned the forested areas based on English landscaping models. Today it is a wonderful place to have a walk.