Although the origins of Wasenbourg castle are fairly obscure, the historians attribute generally its construction, by 1273, to Conrad de Lichtenberg, then bishop of Strasbourg. The castle is quoted first time in a charter dated 1335 during a division of the Licthenberg family possessions. It is enfeoffed by these last ones to Guillaume de Born in 1378. In 1398, during a Fehde, Wasenbourg is besieged by the gathered troops of the bishop and the city of Strasbourg. Afterward, it will be used as residence by the vassals of the Lichtenberg.
Seriously damaged during the Peasants' War in 1525, Wasenbourg was raised from its ruins by Jacques de Deux-Ponts-Bitche in 1535.
In 1570, a quarrel of inheritance sets Linange against Hanau-Lichtenberg, both of them successors of Deux-Ponts-Bitche. Jean-Jacob Niedheimer, baillif of Hanau, takes advantage of it to occupy the place and assumes even the title of nobility 'of Wasenbourg'. The castle seems to have been saved during the War of Thirty Years (1618-1648) but will be finally dismantled by the troops of Louis XIV in 1677.
The site was outstandingly emphasized by recent works of consolidation and of restoration. The castle presents the peculiarity not to possess a keep. An 18 metre high, 14 metre long and 3 metre thick shield walloverhanging a deep ditch is enough to protect the lodging house towards the attack. A plate overhanging the entrance of the castle commemorates the visit of Goethe of 1771.
East of the lower yard raises a rock known as le Wachtfelsen, testimony of a Roman worship dedicated to the god Mercury. Having crossed the lower yard, we penetrate into the enclosure wall itself. An oriel window overhangs the East wall of the castle. The access to the lodging house is made by a door in broken bow overhung by a sculptured head integrated into a Gothic frieze.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.