The first Edsberg building was constructed of wood around 1630 as an estate for Henrik Olofsson. It was very soon after completion signed over to count Gabriel Bengtsson Oxenstierna who changed it into a manor in 1647. Queen Christina of Sweden visited and stayed in the house in 1645. In 1670, when the manor had been inherited by the son Gabriel Gabrielsson Oxenstierna, King Charles XI of Sweden and the Queen Dowager Hedvig Eleonora of Holstein-Gottorp came for a visit.
The manor later belonged to the Rudbeck family, the first of which was the Over-Governor of Stockholm, Thure Gustaf Rudbeck. In 1760 he replaced the old wooden construction with the stone building still in standing and in use today. The main building was most likely designed by architect Carl Wijnblad in simplified French rococo style and had two floors, plastered façade and two wings.
Malla Silfverstolpe, 1782-1861, grew up in the castle. Her diary gives a vivid and fascinating account of life at Edsberg during this time. The Rudbecks were owners of the castle for about 200 years, upon which the county of Sollentuna assumed ownership in 1959. It has since then been used for higher musical education.
The castle has undergone extensive renovation and housed Sveriges Radios Musikskola (the music school of the Swedish National Radio). It now houses Edsbergs Musikinstitut; the independent chamber music division of the Royal College of Music, Stockholm.
A section of the castle and the garden is rented out for private and corporate events. An art gallery, Edsvik Konsthall, is located on the castle's premises.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.