History of Sweden between 1722 - 1771
The Age of Liberty (Frihetstiden) is the half century long period of parliamentarianism and increasing civil rights in Sweden, beginning in 1721 after Great Northern War and ending with Gustav III's self-coup in 1772. The shift of power from the Monarch to the Parliament was a direct effect of the disastrous Great Northern War.
The Great Northern War (1700–21) was a conflict in which a coalition led by the Tsardom of Russia successfully contested the supremacy of the Swedish Empire. The war started when an alliance of Denmark–Norway, Saxony and Russia declared war on the Swedish Empire, launching a threefold attack at Swedish Holstein-Gottorp, Swedish Livonia, and Swedish Ingria. Sweden was ruled by the young Charles XII, who was eighteen years old and inexperienced at the time. Sweden was first victorius against Danish and Russian and Poland. Charles XII moved from Saxony into Russia to confront Peter I, but the campaign ended with the destruction of the main Swedish army in Poltava (now Ukraine), and Charles's exile in Ottoman Bender. After Poltava, the initial anti-Swedish coalition was re-established and subsequently joined by Hanover and Prussia. The remaining Swedish forces in the plague stricken areas south and east of the Baltic Sea were evicted, with the last city, Riga, falling in 1710. Sweden proper was invaded by Denmark–Norway from the west and by Russia from the east, occupying all of Finland by 1714. Though the Danish attacks were repulsed, Russia managed to occupy Finland. Charles XII opened up a Norwegian front, but was killed in Fredriksten in 1718. The war ended with a defeat for Sweden, leaving Russia as the new major power in the Baltic Sea and an important new player in European politics. In Sweden, the absolute monarchy had come to an end with Charles XII's death, and the Age of Liberty began.
Early in 1720 Charles XII's sister, Ulrika Eleonora, who had been elected queen of Sweden immediately after his death, was permitted to abdicate in favour of her husband Frederick the prince of Hesse, who was elected king 1720 under the title of Frederick I of Sweden; and Sweden was, at the same time, converted into the most limited of monarchies. All power was vested in the people as represented by the Riksdag, consisting, as before, of four distinct estates, nobles, priests, burgesses and peasants, sitting and deliberating apart. The conflicting interests and mutual jealousies of these four independent assemblies made the work of legislation exceptionally difficult.
The Pomeranian War 1757-1762 was a theatre of the Seven Years' War. The term is used to describe the fighting between Sweden and Prussia between 1757 and 1762 in Swedish Pomerania. The war was characterized by a back-and-forth movement of the Swedish and Prussian armies, neither of whom would score a decisive victory. Neither this war was succesful to Sweden. The death of Elizabeth of Russia in January 1762 changed the whole political situation in Europe. A Russo-Prussian alliance threatened to make Russia an enemy not an ally of Sweden. The secret committee thus decided on March 13 that year that Sweden would seek a separate peace. Via the queen's mediation, the Swedes signed the peace of Hamburg with Prussia and Mecklenburg on 22 May, accepting their defeat - Prussia and Sweden were restored to the status quo ante bellum.
In Sweden, the unpopularity of this costly and futile war meant that the Hats' control on government began to falter and the confusion the war caused led to a deficit which resulted in their fall in 1765.
Palacio Real de Aranjuez is a former Spanish royal residence. It was established around the time Philip II of Spain moved the capital from Toledo to Madrid. Aranjuez became one of four seasonal seats of government, occupied during the springtime (from about holy week). Thereafter, the court moved successively to Rascafría, El Escorial and wintered in Madrid. Aranjuez Cultural Landscape is an UNESCO World Heritage Site.
After the Christian conquest, Aranjuez was owned by the Order of Santiago and a palace was built for its Grand Masters where the Royal Palace stands today. When the Catholic Monarchs assumed the office of Grand Master of the Order of Santiago, Aranjuez became part of the Royal estate. This fertile land, located between the Tajo and Jarama Rivers, was converted into the Spanish monarchy's most lavish country retreat: during Spain's Golden Age, Aranjuez became a symbol for the perfection of nature by mortal hands, as El Escorial was for art.
Such excellence was based on strong Renaissance foundations, as Charles V envisaged this inherited estate as a large Italian-inspired villa, a desire continued by Philip II who appointed Juan Bautista de Toledo to design leafy avenues that ran through the gardens and farming land. A series of dams was constructed in the 16th century to control the course of the Tajo River and create a network of irrigation canals.
The splendour of the estate was only enhanced by the Bourbon monarchs, who would spend the whole spring, from Easter to July, at the Palace. Phillip V added new gardens and Ferdinand VI designed a new system of tree-lined streets and created a small village within the estate, which was further developed by Charles III and Charles IV. As Ferdinand VII and Isabella II continued to visit Aranjuez during the spring, the splendour of this site was maintained until 1870.
The Royal Palace, built by Phillip II on the site of the old palace of the Grand Masters of Santiago, was designed by the architect Juan Bautista de Toledo –under whom construction began in 1564– and later Juan Herrera, who only managed to finish half the project. Although glimpses of the original layout still remain, the building itself is more characteristic of the classicism favoured by the Hapsburg monarchs, with alternating white stone and brick. The original design was continued by Phillip V in 1715 but not finished until 1752 under Ferdinand VI. The rectangular layout that Juan Bautista de Toledo had planned, and that took two centuries to complete, was only maintained for 20 years, since in 1775 Charles III added two wings onto the Palace.
As the Prince of Asturias, Charles IV was a frequent visitor to the pier pavilions built by Ferdinand VI and grew up playing in the Prince’s Garden. When he became King, he decided to build a new country house at the far end of these gardens, known as the Casa del Labrador (the labourer's house) due to its modest exterior that was designed to heavily contrast the magnificent internal decor. It was built by chief architect Juan de Villanueva and his pupil Isidro González Velázquez, who designed some of the interior spaces. These rooms, developed in various stages until 1808, are the greatest example of the lavish interior decor favoured by this monarch in his palaces and country retreats. Highlights at this Site include the combination of different types of art and the luxurious textiles, in particular the silks from Lyon, as well as wealth of original works on the main floor, where Ferdinand VII added various paintings and landscapes by Brambilla.
Phillip II, a great lover of gardens, paid special attention to this feature of the Aranjuez Palace: during his reign, he maintained both the Island Garden, designed by the architect Juan Bautista de Toledo, and the King's Garden, immediately adjacent to the Palace and whose current layout was designed by Philip IV. The majority of the fountains on this island were commissioned by Phillip IV, while the Bourbons added other features such as the Charles III benches.
Phillip V made two French-style additions to the existing gardens: the Parterre Garden in front of the palace and the extension at the far end of the Island Garden, known as the Little Island, where he installed the Tritons Fountain that was later moved to the Campo del Moro park by Isabella II.
The Prince's Garden owes its name and creation to the son and heir of Charles III who, in the 1770s, began to use Ferdinand VI's old pier for his own enjoyment. He also created a landscaped garden in the Anglo-French style that was in fashion at the time and which was directly influenced by Marie Antoinette's gardens at the Petit Trianon. Both Juan de Villanueva and Pablo Boutelou collaborated in the design of this garden.