History of Sweden between 1722 - 1771
The Age of Liberty (Frihetstiden) is the half century long period of parliamentarianism and increasing civil rights in Sweden, beginning in 1721 after Great Northern War and ending with Gustav III's self-coup in 1772. The shift of power from the Monarch to the Parliament was a direct effect of the disastrous Great Northern War.
The Great Northern War (1700–21) was a conflict in which a coalition led by the Tsardom of Russia successfully contested the supremacy of the Swedish Empire. The war started when an alliance of Denmark–Norway, Saxony and Russia declared war on the Swedish Empire, launching a threefold attack at Swedish Holstein-Gottorp, Swedish Livonia, and Swedish Ingria. Sweden was ruled by the young Charles XII, who was eighteen years old and inexperienced at the time. Sweden was first victorius against Danish and Russian and Poland. Charles XII moved from Saxony into Russia to confront Peter I, but the campaign ended with the destruction of the main Swedish army in Poltava (now Ukraine), and Charles's exile in Ottoman Bender. After Poltava, the initial anti-Swedish coalition was re-established and subsequently joined by Hanover and Prussia. The remaining Swedish forces in the plague stricken areas south and east of the Baltic Sea were evicted, with the last city, Riga, falling in 1710. Sweden proper was invaded by Denmark–Norway from the west and by Russia from the east, occupying all of Finland by 1714. Though the Danish attacks were repulsed, Russia managed to occupy Finland. Charles XII opened up a Norwegian front, but was killed in Fredriksten in 1718. The war ended with a defeat for Sweden, leaving Russia as the new major power in the Baltic Sea and an important new player in European politics. In Sweden, the absolute monarchy had come to an end with Charles XII's death, and the Age of Liberty began.
Early in 1720 Charles XII's sister, Ulrika Eleonora, who had been elected queen of Sweden immediately after his death, was permitted to abdicate in favour of her husband Frederick the prince of Hesse, who was elected king 1720 under the title of Frederick I of Sweden; and Sweden was, at the same time, converted into the most limited of monarchies. All power was vested in the people as represented by the Riksdag, consisting, as before, of four distinct estates, nobles, priests, burgesses and peasants, sitting and deliberating apart. The conflicting interests and mutual jealousies of these four independent assemblies made the work of legislation exceptionally difficult.
The Pomeranian War 1757-1762 was a theatre of the Seven Years' War. The term is used to describe the fighting between Sweden and Prussia between 1757 and 1762 in Swedish Pomerania. The war was characterized by a back-and-forth movement of the Swedish and Prussian armies, neither of whom would score a decisive victory. Neither this war was succesful to Sweden. The death of Elizabeth of Russia in January 1762 changed the whole political situation in Europe. A Russo-Prussian alliance threatened to make Russia an enemy not an ally of Sweden. The secret committee thus decided on March 13 that year that Sweden would seek a separate peace. Via the queen's mediation, the Swedes signed the peace of Hamburg with Prussia and Mecklenburg on 22 May, accepting their defeat - Prussia and Sweden were restored to the status quo ante bellum.
In Sweden, the unpopularity of this costly and futile war meant that the Hats' control on government began to falter and the confusion the war caused led to a deficit which resulted in their fall in 1765.
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.