Jäneda manor was founded as an estate before 1510. The estate has belonged to several different aristocratic families. The present building was built 1913-1915 in an eclectic Art Nouveau style with strong neo-Gothic influences. In 1922, the interiors were rebuilt after designs by architect Anton Lembit Soans. Estonian composer Urmas Sisask has furnished a planetarium at the top of the tower.
In the early 1900s the manor was owned by Countess, later Baroness, Moura (Maria Zakrevskaya Benckendorff) Budberg, who has been called the "Mata Hari of Russia" and who was close to Sir R. H. Bruce Lockhart, Russian writer Maxim Gorki and H.G. Wells.
In 1928, an agricultural school was founded in the main and adjoining buildings by Konstantin Päts, who would later become president of Estonia. In Soviet times, Arnold Rüütel, president of Estonia from 2001 to 2006, studied here and agriculture has remained his major interest. Its second most famous pupil was the writer Juhan Smuul. The school continues to this day and some of its students work in a hotel which has been opened on this site. The hotel and the surrounding buildings make a congenial backcloth for parties and works outings.
The museum in the main building covers the history of the estate between 1920 and 1940, with many documents fortunately being saved from then. It also covers the Soviet period of the agricultural college, with the appropriate array of red banners and portraits of Lenin and Stalin. As in so many institutes in Soviet times, the Stalin memorabilia were only hidden after 1956 and were never destroyed, though few can have imagined that they would later be brought out for ridicule rather than for devotion.References:
The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.
According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.
In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.
The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.
The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.
In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.
The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.