The National Museum of Finland presents Finnish history from the Stone Age to the present day, through objects and cultural history. The permanent exhibitions of the National Museum are divided into six parts. The Treasure Troves presents the collections of coins, medals, orders and decorations, silver, jewellery and weapons. Prehistory of Finland is the largest permanent archeological exhibition in Finland. The Realm presents of the development of Finnish society and culture from the Middle Ages 12th century to the early 20th century, through the Swedish Kingdom Period to the Russian Empire Era. The "Land and Its People" presents Finnish folk culture in the 18th and 19th centuries, life in the countryside before the industrialisation.
Workshop Vintti - Easy History, is an interactive exhibition, where visitors can study the history of Finland and its culture using their hands and brains. It is based on experimentation and personal experience, and the tasks and assignments also point the way to exploring the permanent exhibitions of the museum.
The museum's entrance hall ceiling has ceiling frescoes in the national epic Kalevala theme, painted by Akseli Gallén-Kallela, which can be seen without an entrance fee. The frescoes, painted in 1928, are based on the frescoes painted by Gallén-Kallela in the Finnish Pavilion of the Paris World Fair in 1900.
The building of the National Museum was designed by architects Herman Gesellius, Armas Lindgren, and Eliel Saarinen. The appearance of the building reflects Finland's medieval churches and castles. The architecture belongs to national romanticism and the interior mainly to art nouveau. The museum was built from 1905 to 1910 and opened to the public in 1916. The museum was named the Finnish National Museum after Finland's independence in 1917.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.