Top historic sites in Helsinki
Suomenlinna
Suomenlinna ("Sveaborg", "Viapori") sea fortress is a UNESCO World Heritage Site and one of Finland’s most popular tourist attractions. The construction of the fortress started by the king of Sweden in 1748 as protection against Russian expansionism. Suomenlinna was planned to be a principal base for naval military operations and the general responsibility for the fortification work was given to Augustin Ehrensv&aum ...Helsinki Cathedral
Helsinki Cathedral is a distinct landmark in the scenery of central Helsinki, with a tall green dome surrounded by four smaller domes. It was built in 1830–1852 in neoclassical style to replace an earlier church from 1727. The cathedral was designed by Carl Ludvig Engel, to form the climax of the whole Senate Square laid out by Engel, surrounded by a number of buildings all designed by him.Today the cathedral is one ...Parliament House
Since 1907 the Parliament of Finland was convened in House of the Estates and Finnish House of Nobility. Both buildings became however too small for the 200 members of the independent Finland Parliament. In 1923 a competition was held to choose a site for a new Parliament House. Arkadianmäki, a hill beside what is now Mannerheimintie, was chosen as the best site.The architectural competition which was held in 1924 wa ...The National Museum of Finland
The National Museum of Finland presents Finnish history from the Stone Age to the present day, through objects and cultural history. The permanent exhibitions of the National Museum are divided into six parts. The Treasure Troves presents the collections of coins, medals, orders and decorations, silver, jewellery and weapons. Prehistory of Finland is the largest permanent archeological exhibition in Finland. The Realm pre ...Olympic Stadium
The story of Olympic Stadium began in 1927, when City of Helsinki and several sport associations created the Stadium Foundation. The purpose of foundation was to build an adequate venue for the summer olympics. Construction of the Olympic Stadium began in 1934 and it was completed in 1938. It was designed in functionalistic style by the architects Yrjö Lindegren and Toivo Jäntti.The stadium was built to host the ...Senate Square
Senate Square (Senaatintori) presents Carl Ludvig Engel's architecture as a unique allegory of political, religious, scientific and commercial powers in the centre of Helsinki. It has been the centrum of Helsinki since the city was established in 1640. Russians destroyed Helsinki entirely during the Great Northern War (1713-1721).When the Finland became an autonomous part of Russia in 1812, the capital was moved from Turk ...Uspenski Cathedral
Uspenski Cathedral is an Eastern Orthodox cathedral dedicated to the Dormition of the Theotokos (the Virgin Mary). The cathedral was designed by the Russian architect Alexey Gornostaev (1808–1862), but it was built after his death in 1862-1868. It was made of bricks brought mainly from Bomarsund fortress in Åland which had been destroyed during the Crimean War in 1854.Uspenski cathedral represents the Slavonic architec ...Seurasaari Open-Air Museum
Seurasaari is a museum island, which consists of old, mainly wooden buildings transplanted from elsewhere in Finland and placed in the dense forest landscape of the island. The Open-Air Museum was founded in 1909. All the different provinces of Finland are represented in the well preserved old buildings and they give an overall view of Finnish countryside life from the 18th to the 20th century. At present, there are 87 se ...Ateneum Art Museum
Ateneum is the national gallery of Finland presenting the most important art collection in Finland. Ateneum's collections includes several classics from most well-known Finnish artists like Akseli Gallen-Kallela, Helene Schjerfbeck and Albert Edefelt. There is also a fine collection of international art, among its gems the works of Vincent van Gogh and Paul Gauguin.The museum building itself was designed by Theodor H& ...Sibelius Monument
The Sibelius monument was designed by Eila Hiltunen and completed in 1967. It consists of series of more than 600 hollow steel pipes welded together in a wave-like pattern. The purpose of the artist was to capture the essence of the music of Sibelius. The monument weighs 24 tonnes. It’s probably the most well-known abstract sculpture in Finland and popular tourist attraction.Presidential Palace
To the north of Kauppatori Square stands the Presidential Palace, one of C. L. Engel’s grand neo-classical buildings. Originally at the beginning of 19th century, a salt storehouse stood on the site. The entire lot was bought by merchant Johan Henrik Heidenstrauch who built the first palace in 1820. He had to sell it to the senate of Finland in 1837 and the building was moved to the official residence of the Tsar or Rus ...Temppeliaukio Church
Quarried out of the natural bedrock, The Temppeliaukio church is one of the most popular tourist attractions in the city; half a million people visit it annually. The interior walls are created naturally by the rock. The church was designed by architects Timo and Tuomo Suomalainen and opened in 1969. The interior was excavated and built into the rock but is bathed in natural light entering through the glazed dome. Due to ...Hietaniemi Cemetery
The Hietaniemi cemetery is the location for Finnish state funeral services and most remarkable cemetery in Finland. The cemetery was placed to Hietaniemi in 1829. It was originally a military cemetery for the Finnish Guard, which was part of the Russian army.The cemetery includes still a large military cemetery section for soldiers from the capital fallen in the wars against the Soviet Union and Nazi Germany: in the Winte ...Featured Historic Landmarks, Sites & Buildings
Historic Site of the week
Royal Palace of Aranjuez
Palacio Real de Aranjuez is a former Spanish royal residence. It was established around the time Philip II of Spain moved the capital from Toledo to Madrid. Aranjuez became one of four seasonal seats of government, occupied during the springtime (from about holy week). Thereafter, the court moved successively to Rascafría, El Escorial and wintered in Madrid. Aranjuez Cultural Landscape is an UNESCO World Heritage Site.
After the Christian conquest, Aranjuez was owned by the Order of Santiago and a palace was built for its Grand Masters where the Royal Palace stands today. When the Catholic Monarchs assumed the office of Grand Master of the Order of Santiago, Aranjuez became part of the Royal estate. This fertile land, located between the Tajo and Jarama Rivers, was converted into the Spanish monarchy's most lavish country retreat: during Spain's Golden Age, Aranjuez became a symbol for the perfection of nature by mortal hands, as El Escorial was for art.
Such excellence was based on strong Renaissance foundations, as Charles V envisaged this inherited estate as a large Italian-inspired villa, a desire continued by Philip II who appointed Juan Bautista de Toledo to design leafy avenues that ran through the gardens and farming land. A series of dams was constructed in the 16th century to control the course of the Tajo River and create a network of irrigation canals.
The splendour of the estate was only enhanced by the Bourbon monarchs, who would spend the whole spring, from Easter to July, at the Palace. Phillip V added new gardens and Ferdinand VI designed a new system of tree-lined streets and created a small village within the estate, which was further developed by Charles III and Charles IV. As Ferdinand VII and Isabella II continued to visit Aranjuez during the spring, the splendour of this site was maintained until 1870.
The Royal Palace, built by Phillip II on the site of the old palace of the Grand Masters of Santiago, was designed by the architect Juan Bautista de Toledo –under whom construction began in 1564– and later Juan Herrera, who only managed to finish half the project. Although glimpses of the original layout still remain, the building itself is more characteristic of the classicism favoured by the Hapsburg monarchs, with alternating white stone and brick. The original design was continued by Phillip V in 1715 but not finished until 1752 under Ferdinand VI. The rectangular layout that Juan Bautista de Toledo had planned, and that took two centuries to complete, was only maintained for 20 years, since in 1775 Charles III added two wings onto the Palace.
Real Casa del Labrador
As the Prince of Asturias, Charles IV was a frequent visitor to the pier pavilions built by Ferdinand VI and grew up playing in the Prince’s Garden. When he became King, he decided to build a new country house at the far end of these gardens, known as the Casa del Labrador (the labourer's house) due to its modest exterior that was designed to heavily contrast the magnificent internal decor. It was built by chief architect Juan de Villanueva and his pupil Isidro González Velázquez, who designed some of the interior spaces. These rooms, developed in various stages until 1808, are the greatest example of the lavish interior decor favoured by this monarch in his palaces and country retreats. Highlights at this Site include the combination of different types of art and the luxurious textiles, in particular the silks from Lyon, as well as wealth of original works on the main floor, where Ferdinand VII added various paintings and landscapes by Brambilla.
King's Garden, the Island Garden, Parterre Garden and the Prince's Garden
Phillip II, a great lover of gardens, paid special attention to this feature of the Aranjuez Palace: during his reign, he maintained both the Island Garden, designed by the architect Juan Bautista de Toledo, and the King's Garden, immediately adjacent to the Palace and whose current layout was designed by Philip IV. The majority of the fountains on this island were commissioned by Phillip IV, while the Bourbons added other features such as the Charles III benches.
Phillip V made two French-style additions to the existing gardens: the Parterre Garden in front of the palace and the extension at the far end of the Island Garden, known as the Little Island, where he installed the Tritons Fountain that was later moved to the Campo del Moro park by Isabella II.
The Prince's Garden owes its name and creation to the son and heir of Charles III who, in the 1770s, began to use Ferdinand VI's old pier for his own enjoyment. He also created a landscaped garden in the Anglo-French style that was in fashion at the time and which was directly influenced by Marie Antoinette's gardens at the Petit Trianon. Both Juan de Villanueva and Pablo Boutelou collaborated in the design of this garden.