St. Peter's Priory (Sankt Peters Klosters kyrka) was one of Denmark's early monastic houses. It was established before 1166 during the tenure of Eskil, Archbishop of Lund, for Benedictine nuns. It was originally dedicated to Saint Mary and Saint Peter, but by 1200 it was simply referred to as St. Peter's Priory. The original church was built in the latter half of the 1160s of sandstone with the rounded arches of the Romanesque style.
The church was rebuilt in brick and expanded about 1300 in the Gothic style. The entire complex consisted of three ranges with the priory church forming the fourth side of a quadrilateral enclosure. The complex included a dormitory, refectory and cellars, and a wing for lay sisters. The church over time came into possession of many income properties which paid rents to sustain the priory. There are records of several exchanges of farms between St. Peter's Priory and the chapter of Lund Cathedral.
In the course of the Reformation Denmark became officially a Lutheran kingdom in October 1536. All religious houses and their many acquired income properties reverted to the crown. The entire archive of the priory was lost except for a few letters regarding the disposition of the priory near the time of the Reformation. The last letter of the prioress, dated 1537, giving up the priory is found among them. The estate was given to Eskil Oxe by the crown until 1565 when it passed into the possession of Jorgen and Inger Brahe, the maternal uncle and aunt of Tycho Brahe, the famous Danish astronomer.
About 1600 all the conventual buildings were demolished, leaving the priory church to serve as the parish church of St Peter's. The burial ground continued to be used for burials until modern times.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.