Oliwa Cathedral is dedicated to The Holy Trinity, Blessed Virgin Mary and St Bernard. The first Cistercian monastery on the site was founded by Sambor I of Gdánsk, Duke of Pomerania, in 1186. The first Romanesque oratory was burnt down in 1224 during the pagan Prussians crusade. It was rebuilt in 1234-1236, but destroyed again by Prussian crusade.
In 1350 fire that was caused by chimney soot excess completely consumed both the church and the monastery. The present shape of both of those buildings date back to the second half of the 14th century. During the rebellion of the city of Gdańsk the mercenary army attacked the monastery and burned it to the ground in 1577. The current church was rebuilt between 1578-1583 and inaugurated in 1594.
In 1831 Prussian authorities closed down the Cistercian monastery in Oliwa. The church, together with some of the buildings belonging to it, was handed over to a Catholic parish. It took until 1925, when under a papal bull issued, Pope Pius XI established the Diocese of Gdańsk and by that raised the Oliwa church to the dignity of a cathedral. Oliwa became the capital of the diocese and a seat of bishops.
Oliwa cathedral is a three-nave basilica with a transept and a multi sided closed presbytery, finished with an ambulatory. The façade is flanked by two slender towers, 46-metres tall each with sharply-edged helmets. It is enlivened by a Baroque portal from 1688, as well as three windows of different sizes and three cartouches. The crossing of the naves is overlooked by a bell tower, a typical element of the Cistercian architecture. The cathedral is 17.7m high, 19m wide and 107m long (97.6m of the interior itself), which makes it the longest Cistercian church in the world. It holds works of art in Renaissance, Baroque, Rococo and Classical style of great artistic value.
All the 23 altars of the cathedral are of great historical value. They are mainly Baroque and Rococo, partly made of marble. Their iconography depicts the main principles of the post-Trent church. Most outstanding are the present High Altar (1688), which is the most profound Baroque work of art in Pomerania; and the Netherland Renaissance style altar, which until 1688 played the role of the main one. The paintings in the altars, presbytery and main nave were made by the famous 17th- century artists: Herman Han (1574–1628), Adolf Boy (1612-1680), Andrzej Stech (1635–1697) and Andreas Schlütera (1660–1714). The interior also holds Rococo chapels of the Holy Cross and St John of Nepomuk, an ambo, tombstones, epitaphs, the Pomeranian Dukes tomb, the Kos family tomb, bishop’s crypt, antique chandeliers, canopies, and many other antiquities, including a feretory of great cultural value, showing Our Lady of Oliwa with an Infant Jesus. The feretory is always carried during the annual walking pilgrimage to the Calvary of Wejherowo. The archcathedral holds organ concerts all year round and the beautifully restored monastery (now belonging to Gdańsk Seminary) displays the collection of the Diocesan Museum. Oliwa Cathedral is very important place for the Kashubian culture.References:
German crusaders known as the Livonian Brothers of the Sword began construction of the Cēsis castle (Wenden) near the hill fort in 1209. When the castle was enlarged and fortified, it served as the residence for the Order's Master from 1237 till 1561, with periodic interruptions. Its ruins are some of the most majestic castle ruins in the Baltic states. Once the most important castle of the Livonian Order, it was the official residence for the masters of the order.
In 1577, during the Livonian War, the garrison destroyed the castle to prevent it from falling into the control of Ivan the Terrible, who was decisively defeated in the Battle of Wenden (1578).
In 1598 it was incorporated into the Polish-Lithuanian Commonwealth and Wenden Voivodship was created here. In 1620 Wenden was conquered by Sweden. It was rebuilt afterwards, but was destroyed again in 1703 during the Great Northern War by the Russian army and left in a ruined state. Already from the end of the 16th century, the premises of the Order's castle were adjusted to the requirements of the Cēsis Castle estate. When in 1777 the Cēsis Castle estate was obtained by Count Carl Sievers, he had his new residence house built on the site of the eastern block of the castle, joining its end wall with the fortification tower.
Since 1949, the Cēsis History Museum has been located in this New Castle of the Cēsis Castle estate. The front yard of the New Castle is enclosed by a granary and a stable-coach house, which now houses the Exhibition Hall of the Museum. Beside the granary there is the oldest brewery in Latvia, Cēsu alus darītava, which was built in 1878 during the later Count Sievers' time, but its origins date back to the period of the Livonian Order. Further on, the Cēsis Castle park is situated, which was laid out in 1812. The park has the romantic characteristic of that time, with its winding footpaths, exotic plants, and the waters of the pond reflecting the castle's ruins. Nowadays also one of the towers is open for tourists.