St. Mary's Church (Bazylika Mariacka) is the largest brick church in the world. According to tradition, as early as 1243 a wooden Church of the Assumption existed at this site, built by Prince Swantopolk II. The foundation stone for the new brick church was placed on on 25 March 1343. At first a six-span bay basilica with a low turret was built, erected from 1343 to 1360. Parts of the pillars and lower levels of the turret have been preserved from this building.
In 1379 the masonry master Heinrich Ungeradin led his team to start construction of the present church. St. Mary's Church in Lübeck, the mother of all Brick Gothic churches dedicated to St. Mary in Hanseatic cities around the Baltic, is believed to be the archetype of the building. By 1447 the eastern part of the church was finished, and the tower was raised by two floors in the years 1452-1466. Since 1485 the work was continued by Hans Brandt, who supervised the erection of the main nave core. The structure was finally finished after 1496 under Heinrich Haetzl, who supervised the construction of the vaulting.
After the Reformation in 1529 the first Lutheran worship was held in St. Mary's. After 1557 King Sigismund II Augustus had granted Danzig the religion privilege allowing to celebrate the communion under both kinds the city council ended Catholic masses in all other parish churches in the city and those in its countryside territory, except of in St. Mary's. Here Catholic Masses at the high altar were continued until the city council stopped them in 1572.
In the course of the Partitions of Poland the city lost its liberty in 1793 and The Prussian government integrated St. Mary's and all the Lutheran state church into the all-Prussian Lutheran church administration.
Between 1920 and 1940 St. Mary's became the principal church within the Protestant Regional Synodal Federation of the Free City of Danzig. Starting in 1942 more or less movable major items of Danzig's cultural heritage have been dismantled and demounted in coordination with the cultural heritage curator. So also the presbytery of St. Mary's church agreed to remove items like archive files and artworks such as altars, paintings, epitaphs, mobile furnishings to places outside the city.
The church was severely damaged in World War II, during the storming of Danzig city by the Red Army in March 1945. After the basic reconstruction was finished, the church was reconsecrated in 1955. The reconstruction and renovation of the interior is an ongoing effort and continues to this day.
St. Mary's Church is a triple-aisled hall church with a triple-aisled transept. Both the transept and the main nave are of similar width and height, which is a good example of late Gothic style. Certain irregularities in the form of the northern arm of the transept are remnants of the previous church situated on the very same spot. The vaulting is a true piece of art, and was in great part restored after the war. The exterior is dominated by plain brick plains and high and narrow Gothic arch windows.
The interior of St. Mary's church is decorated within with several masterpieces of Gothic, Renaissance and Baroque painting. The most notable, The Last Judgement by Flemish painter Hans Memling, is currently preserved in the National Museum of Gdańsk. Other works of art were transferred to the National Museum in Warsaw in 1945. It wasn't until 1990s when several of them were returned to the church.References:
The Trinity Lavra of St. Sergius is a world famous spiritual centre of the Russian Orthodox Church and a popular site of pilgrimage and tourism. It is the most important working Russian monastery and a residence of the Patriarch. This religious and military complex represents an epitome of the growth of Russian architecture and contains some of that architecture’s finest expressions. It exerted a profound influence on architecture in Russia and other parts of Eastern Europe.
The Trinity Lavra of St. Sergius, was founded in 1337 by the monk Sergius of Radonezh. Sergius achieved great prestige as the spiritual adviser of Dmitri Donskoi, Great Prince of Moscow, who received his blessing to the battle of Kulikov of 1380. The monastery started as a little wooden church on Makovets Hill, and then developed and grew stronger through the ages.
Over the centuries a unique ensemble of more than 50 buildings and constructions of different dates were established. The whole complex was erected according to the architectural concept of the main church, the Trinity Cathedral (1422), where the relics of St. Sergius may be seen.
In 1476 Pskovian masters built a brick belfry east of the cathedral dedicated to the Descent of the Holy Spirit on the Apostles. The church combines unique features of early Muscovite and Pskovian architecture. A remarkable feature of this church is a bell tower under its dome without internal interconnection between the belfry and the cathedral itself.
The Cathedral of the Assumption, echoing the Cathedral of the Assumption in the Moscow Kremlin, was erected between 1559 and 1585. The frescoes of the Assumption Cathedral were painted in 1684. At the north-western corner of the Cathedral, on the site of the western porch, in 1780 a vault containing burials of Tsar Boris Godunov and his family was built.
In the 16th century the monastery was surrounded by 6 meters high and 3,5 meters thick defensive walls, which proved their worth during the 16-month siege by Polish-Lithuanian invaders during the Time of Trouble. They were later strengthened and expanded.
After the Upheaval of the 17th century a large-scale building programme was launched. At this time new buildings were erected in the north-western part of the monastery, including infirmaries topped with a tented church dedicated to Saints Zosima and Sawatiy of Solovki (1635-1637). Few such churches are still preserved, so this tented church with a unique tiled roof is an important contribution to the Lavra.
In the late 17th century a number of new buildings in Naryshkin (Moscow) Baroque style were added to the monastery.
Following a devastating fire in 1746, when most of the wooden buildings and structures were destroyed, a major reconstruction campaign was launched, during which the appearance of many of the buildings was changed to a more monumental style. At this time one of the tallest Russian belfries (88 meters high) was built.
In the late 18th century, when many church lands were secularized, the chaotic planning of the settlements and suburbs around the monastery was replaced by a regular layout of the streets and quarters. The town of Sergiev Posad was surrounded by traditional ramparts and walls. In the vicinity of the monastery a number of buildings belonging to it were erected: a stable yard, hotels, a hospice, a poorhouse, as well as guest and merchant houses. Major highways leading to the monastery were straightened and marked by establishing entry squares, the overall urban development being oriented towards the centrepiece - the Ensemble of the Trinity Sergius Lavra.
In 1993, the Trinity Lavra was inscribed on the UNESCO World Heritage List.