Neptune's Fountain

Gdańsk, Poland

Neptune's Fountain, in the center of Dlugi Targ has grown to be one of Gdansk's most recognizable symbols. The bronze statue of the Roman god of the sea was first erected in 1549, before being aptly made into a fountain in 1633. Like the city he represents, Neptune has had a storied history, himself - dismantled and hidden during World War II, old Neptune didn't come out of hiding until 1954 when he was restored to his rightful place in the heart of the city, reminding us of Gdansk's relationship to the sea.

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Details

Founded: 1633
Category: Statues in Poland

Rating

4.7/5 (based on Google user reviews)

User Reviews

Bam 2 (5 months ago)
Fountain is situated at a good place, however, the fountain itself was not decorated in christmas 2018.
Oliwia Biros (5 months ago)
Most recognizable historic landmark in Gdansk and famous meeting point. The Neptune Fountain is a bronze statue of the sea god. The fountain is located in the center of the Long Market and right in front of the Artus Court. It was built in the 17th century.
David Wilding (5 months ago)
A essential part of Gdańsk! I love all of the city, and this is really good! Go see the city - not just Neptune!
S.s S.s (9 months ago)
Beautiful square, especially at night. The buildings are beautiful and colorful. Even here the restaurants are very cheap, there are often concerts, where sometimes you can watch for free (I was lucky ahaha). In the day it is also beautiful, in fact, there is less mess because people still sleep. The Neptuna Fountain "both in the evening and during the day" is wonderful "when they do not wear a shirt". Another very beautiful fountain is that of the lions, where small water games take place. I recommend visiting the place.
Les B (10 months ago)
Beautiful fountain featuring Neptune. Located on the main street of Old Town Gdansk, its very easy to find. Its a busy street with plenty of tourists so mind the usual negatives of high bustling areas. Don't loose your head and keep an eye on your belongings.
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Porta Nigra

The Porta Nigra (Latin for black gate) is the largest Roman city gate north of the Alps. It is designated as part of the Roman Monuments, Cathedral of St. Peter and Church of Our Lady in Trier UNESCO World Heritage Site. The name Porta Nigra originated in the Middle Ages due to the darkened colour of its stone; the original Roman name has not been preserved. Locals commonly refer to the Porta Nigra simply as Porta.

The Porta Nigra was built in grey sandstone between 186 and 200 AD. The original gate consisted of two four-storied towers, projecting as near semicircles on the outer side. A narrow courtyard separated the two gate openings on either side. For unknown reasons, however, the construction of the gate remained unfinished. For example, the stones at the northern (outer) side of the gate were never abraded, and the protruding stones would have made it impossible to install movable gates. Nonetheless, the gate was used for several centuries until the end of the Roman era in Trier.

In Roman times, the Porta Nigra was part of a system of four city gates, one of which stood at each side of the roughly rectangular Roman city. The Porta Nigra guarded the northern entry to the Roman city, while the Porta Alba (White Gate) was built in the east, the Porta Media (Middle Gate) in the south, and the Porta Inclyta (Famous Gate) in the west, next to the Roman bridge across the Moselle. The gates stood at the ends of the two main streets of the Roman Trier, one of which led north-south and the other east-west. Of these gates, only the Porta Nigra still exists today.

In the early Middle Ages the Roman city gates were no longer used for their original function and their stones were taken and reused for other buildings. Also iron and lead braces were broken out of the walls of the Porta Nigra for reuse. Traces of this destruction are still clearly visible on the north side of the gate.

After 1028, the Greek monk Simeon lived as a hermit in the ruins of the Porta Nigra. After his death (1035) and sanctification, the Simeonstift monastery was built next to the Porta Nigra to honor him. Saving it from further destruction, the Porta Nigra was transformed into a church: The inner court of the gate was roofed and intermediate ceilings were inserted. The two middle storeys of the former gate were converted into church naves: the upper storey being for the monks and the lower storey for the general public. The ground floor with the large gates was sealed, and a large outside staircase was constructed alongside the south side (the town side) of the gate, up to the lower storey of the church. A small staircase led further up to the upper storey. The church rooms were accessible through former windows of the western tower of the Porta Nigra that were enlarged to become entrance doors (still visible today). The top floor of the western tower was used as church tower, the eastern tower was leveled, and an apse added at its east side. An additional gate - the much smaller Simeon Gate - was built adjacent to the East side of the Porta Nigra and served as a city gate in medieval times.

In 1802 Napoleon Bonaparte dissolved the church in the Porta Nigra and the monastery beside it, along with the vast majority of Trier"s numerous churches and monasteries. On his visit to Trier in 1804, Napoleon ordered that the Porta Nigra be converted back to its Roman form. Only the apse was kept; but the eastern tower was not rebuilt to its original height. Local legend has it that Napoleon originally wanted to completely tear down the church, but locals convinced him that the church had actually been a Gaulish festival hall before being turned into a church. Another version of the story is that they told him about its Roman origins, persuading him to convert the gate back to its original form.

In 1986 the Porta Nigra was designated a World Heritage Site, along with other Roman monuments in Trier and its surroundings. The modern appearance of the Porta Nigra goes back almost unchanged to the reconstruction ordered by Napoleon. At the south side of the Porta Nigra, remains of Roman columns line the last 100 m of the street leading to the gate. Positioned where they had stood in Roman times, they give a slight impression of the aspect of the original Roman street that was lined with colonnades. The Porta Nigra, including the upper floors, is open to visitors.