To the north of Kauppatori Square stands the Presidential Palace, one of C. L. Engel’s grand neo-classical buildings. Originally at the beginning of 19th century, a salt storehouse stood on the site. The entire lot was bought by merchant Johan Henrik Heidenstrauch who built the first palace in 1820. He had to sell it to the senate of Finland in 1837 and the building was moved to the official residence of the Tsar or Russia (Imperial Palace of Finland).
The necessary rebuilding and furnishing work, carried out between 1843 and 1845, was directed by architect Carl Ludvig Engel, the creator of neoclassical Helsinki. The Imperial family of Russia visited in palace several times between 1854-1915.
During the World War I palace functioned as military hospital for Russian Army. In the Finnish Civil War (1918) it was first the headquarters of the Executive Committee of the Helsinki Workers and Soldiers Soviet. With the victory of the Whites, the Reds abandoned the Palace, which was temporarily used by German and White Finnish military staff. After the war it was quickly converted to the presidential palace of independent Finland. Complete repairs were made at speed, with the furnishings and art collections of the Palace being returned from storage in the National Museum and the Ateneum Art Museum, and also being supplemented. Since then, it has been the official residence of the President. The Palace was again refurbished and modernised by Martti Välikangas in 1938.
The Presidential Palace is open for tours, which can be arranged through Helsinki Expert.
Reference: Wikipedia
The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.