The Upland Gate was built along with the surrounding fortifications between 1571-1576. Formerly, it was the main entrance to the town. The western embankment (built up in 1573) was equipped with a basic looking brick gate building, initially devoid of any kind of decoration. It should be emphasised that this was the first gate in Gdánsk built according to the latest fortification techniques at that time. Credit for the design and overseeing of such a major defense project should be given to Hans Kramer from Dresden.
The gate, surrounded by imposing embankments was indeed difficult to break through. Opposite the main access route stood a bridge spanning a rather deep moat designed for transportation. Two other entrances were equipped with footbridges for pedestrians. A portcullis was raised at certain times in the evening.
In 1588, a brick facade was imaginatively put in by the famous sculptor Wilhelm Van Den Blocke. He created a mural composed of sculpted leaves. The imposing crest sculpture also draws the attention of tourists, on top of the main entrance is the emblem of the Republic on an oval shield held up by two angels.
In front of the Upland Gate were held ceremonies to greet Polish monarchs who visited the town. It should be noted that the first Polish leader who passed through the gate in its present form was Zygmunt III Waza.
During the second world war 1939-45, the gate suffered only minor damages and that is why today we can see this building in all its glory.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.