The Kaunas Fortress was a military project implemented by Russian government. In 1879 Russian Emperor Alexander II accepted a suggestion to build military fortress in Kaunas in order to defense the western border of Russian Empire from German invasion. In the general plan of fortifications there were many objects intended to be built like a surround of 7 fortresses and 9 interjacent artillery batteries, defensive centers, military train station, workshops, stores and many more.
Fortresses were built at the approaches to Kaunas city in distances of 2-2,5 km. The line of set fortresses formed almost a regular oval by 4000 workers annually. Total of 250 wooden and 200 stone buildings serving for military purposes were erected in the territory of Kaunas fortification. However, as building works were slower than modernization of technique, the Kaunas Fortress had to be modernized several times too. In 1912 the Kaunas Fortress had to be double widened, but a broke out of the First World War stopped the works. In the World War I (1915) an army of 90 000 soldiers was garrisoned in the Kaunas Fortress to sustain a siege of German military forces. After 11 days of siege, Germans finally smashed into the Kaunas Fortress. During the assault 4000 defenders and more than 4000 German soldiers died. 20 000 defenders were taken captive. More than 1300 various cannons, guns and military stores were taken by Germans.
After the First World War, some of fortifications were dismantled and the rest served for the troop and Kaunas city. During the Second World War Kaunas Fortress was not used for defensive purposes any more. The Sixth, the Seventh and the Ninth forts were used as concentration camps by German army. About 50,000 people were executed there, including more than 30,000 victims of the Holocaust.
In the postwar period Soviet occupants established military bases in most of these forts. The old buildings of fortification were not preserved as they were demolished and rebuilt. After Soviet military forces were pulled out, military bases located in forts were liquidated. As Kaunas city expanded, some of these forts got into territory of Kaunas city and were surrounded by living houses and city streets, interblending into an environment of Kaunas city.References:
Lübeck Cathedral is a large brick-built Lutheran cathedral in Lübeck, Germany and part of the Lübeck UNESCO World Heritage Site. In 1173 Henry the Lion founded the cathedral to serve the Diocese of Lübeck, after the transfer in 1160 of the bishop's seat from Oldenburg in Holstein under bishop Gerold. The then Romanesque cathedral was completed around 1230, but between 1266 and 1335 it was converted into a Gothic-style building with side-aisles raised to the same height as the main aisle.
On the night of Palm Sunday (28–29 March) 1942 a Royal Air Force bombing raid destroyed a fifth of the town centre. Several bombs fell in the area around the church, causing the eastern vault of the quire to collapse and destroying the altar which dated from 1696. A fire from the neighbouring cathedral museum spread to the truss of the cathedral, and around noon on Palm Sunday the towers collapsed. An Arp Schnitger organ was lost in the flames. Nevertheless, a relatively large portion of the internal fittings was saved, including the cross and almost all of the medieval polyptychs. In 1946 a further collapse, of the gable of the north transept, destroyed the vestibule almost completely.
Reconstruction of the cathedral took several decades, as greater priority was given to the rebuilding of the Marienkirche. Work was completed only in 1982.
The cathedral is unique in that at 105 m, it is shorter than the tallest church in the city. This is the consequence of a power struggle between the church and the guilds.
The 17 m crucifix is the work of the Lübeck artist Bernt Notke. It was commissioned by the bishop of Lübeck, Albert II. Krummendiek, and erected in 1477. The carvings which decorate the rood screen are also by Notke.
Since the war, the famous altar of Hans Memling has been in the medieval collection of the St. Annen Museum, but notable polyptychs remain in the cathedral.
In the funeral chapels of the southern aisle are Baroque-era memorials by the Flemish sculptor Thomas Quellinus.