Frederiksberg Church, completed in 1734, it is built to an unusual octagonal design in Baroque style. Frederiksberg was founded when King Christian III transferred 20 Dutch families from Amager to the area, which became known as Ny Hollænderbyen ('New Dutch Town'), or Ny Amager ('New Dutch Town). The residents of this community constructed a small wooden church in 1653. It was burned down by Swedish troops in 1658 during the Assault on Copenhagen in the Second Northern War. After the war, the Dutch community returned to the area but, struck with deep poverty, a new church was not completed until 1681.
After the turn of the century, the area changed dramatically when King Frederick IV built Frederiksberg Palace on a nearby hilltop. The Dutch farmers were forced away from the area which became a fashionable summer destination, from 1710 known as Frederiksberg. In 1732 it was finally decided to build a new church. The King contributed with 2000 rigsdaler and a piece of land to build it on, and his sister, Princess Sophie Hedevig, donated her entire income from tithe for the year of 1732.
The architect Felix Dusart was charged with the design of the new church. He had come to Denmark from the Netherlands after the Copenhagen Fire of 1728 to work on the rebuilding of the city and mainly worked for Philip de Lange. The church was consecrated on 6 January 1734 by Christian Worm, the Bishop of Zealand, at a ceremony attended by King Christian VI and Crown Prince Frederick (V).
Up through the 19th and 20th century the church was adapted and modernized om several occasions. In 1824 the current rectory was built and in 1865 the church was expanded westward with the porch while the two original entrances, one for men and one for women, are blinded.
In 1868 the church was transferred from state to municipal ownership and in 1898 it became an independent institution.
Installed in 1754, the church's first organ had 10 steps and was built by Hartvig Jochum Müller. Its first organist was Joachim Conrad Oehlenschläger, father of the poet Adam Oehlenschläger. The current organ, its third, was built in 1947 by Marcussen & Søn in Åbenrå and has 34 steps, 3 manuals and pedal. The combined altar and pulpit is executed by the sculptor Johan Christopher Hübner and carpenter Christian Holfeldt.
The altarpiece from 1841 is painted by Christoffer Wilhelm Eckersberg and depicts the scene from John 17:6-19. According to Dutch reformed tradition it is placed below the pulpit. There are two memorials in the church, both of which were inaugurated on 16 January 1873. One commemorates soldiers fallen in the Second Schleswig War and the other Adam Oehlenschläger.References:
Heraclea Lyncestis was an ancient Greek city in Macedon, ruled later by the Romans. It was founded by Philip II of Macedon in the middle of the 4th century BC. The city was named in honor of the mythological hero Heracles. The name Lynkestis originates from the name of the ancient kingdom, conquered by Philip, where the city was built.
Heraclea was a strategically important town during the Hellenistic period, as it was at the edge of Macedon"s border with Epirus to the west and Paeonia to the north, until the middle of the 2nd century BC, when the Romans conquered Macedon and destroyed its political power. The main Roman road in the area, Via Egnatia went through Heraclea, and Heraclea was an important stop. The prosperity of the city was maintained mainly due to this road.
The Roman emperor Hadrian built a theatre in the center of the town, on a hill, when many buildings in the Roman province of Macedonia were being restored. It began being used during the reign of Antoninus Pius. Inside the theatre there were three animal cages and in the western part a tunnel. The theatre went out of use during the late 4th century AD, when gladiator fights in the Roman Empire were banned, due to the spread of Christianity, the formulation of the Eastern Roman Empire, and the abandonment of, what was then perceived as, pagan rituals and entertainment.
In the early Byzantine period (4th to 6th centuries AD) Heraclea was an important episcopal centre. A small and a great basilica, the bishop"s residence, and a funerary basilica and the necropolis are some of the remains of this period. Three naves in the Great Basilica are covered with mosaics of very rich floral and figurative iconography; these well preserved mosaics are often regarded as fine examples of the early Christian art period.
The city was sacked by Ostrogoth/Visigoth forces, commanded by Theodoric the Great in 472 AD and again in 479 AD. It was restored in the late 5th and early 6th century. When an earthquake struck in 518 AD, the inhabitants of Heraclea gradually abandoned the city. Subsequently, at the eve of the 7th century, the Dragovites, a Slavic tribe pushed down from the north by the Avars, settled in the area. The last coin issue dates from ca. 585, which suggests that the city was finally captured by the Slavs. As result, in place of the deserted city theatre several huts were built.
The Episcopacy Residence was excavated between 1970 and 1975. The western part was discovered first and the southern side is near the town wall. The luxury rooms are located in the eastern part. The 2nd, 3rd and 4th rooms all have mosaic floors. Between the 3rd and 4th rooms there is a hole that led to the eastern entrance of the residence. The hole was purposefully created between the 4th and 6th century.