In the 17th century, Copenhagen had become home to a sizeable garrison. A military church was built at Kastellet in 1670 but its modest size only allowed it to serve the personnel at the fortress. The rest of the troops in the city had to use Church of Holmen, a former anchor forge which had been converted into a naval church in 1619.

When Sophie Amalienborg burned down in 1689, its chapel survived the flames and was subsequently put at the disposal of the Army. However, the small building which had been built for members of the royal court only served as a temporary solution. Christian V therefore provided a tract of land at Dronningens Tværgade for the construction of a new church for the Army and military engineer Georg Philip Müller completed a set of renderings in 1697. When Frederick IV ascended the throne in 1699, he moved the project to a site in the southernmost section of Sophie Amalienborg's former gardens. Construction began in 1703, still to Müller's design but under the supervision of Domenico Pelli. The following year it was decided to built the church to a larger and somewhat modified design and the project was taken over by General Master Builder Wilhelm Friedrich von Platen. The church was inaugurated on 24 March 1706.

References:

Comments

Your name

Website (optional)



Details

Founded: 1703-1706
Category: Religious sites in Denmark
Historical period: Absolutism (Denmark)

More Information

en.wikipedia.org

Rating

User Reviews

Powered by Google

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Monastery of São Vicente de Fora

Monastery of São Vicente de Fora (Monastery of St. Vincent Outside the Walls) is a 17th-century church and monastery in the city of Lisbon. It is one of the most important monasteries and mannerist buildings in the country. The monastery also contains the royal pantheon of the Braganza monarchs of Portugal.

The original Monastery of São Vicente de Fora was founded around 1147 by the first Portuguese King, Afonso Henriques, for the Augustinian Order. The Monastery, built in Romanesque style outside the city walls, was one of the most important monastic foundations in mediaeval Portugal. It is dedicated to Saint Vincent of Saragossa, patron saint of Lisbon, whose relics were brought from the Algarve to Lisbon in the 12th century.

The present buildings are the result of a reconstruction ordered by King Philip II of Spain, who had become King of Portugal (as Philip I) after a succession crisis in 1580. The church of the monastery was built between 1582 and 1629, while other monastery buildings were finished only in the 18th century. The author of the design of the church is thought to be the Italian Jesuit Filippo Terzi and/or the Spaniard Juan de Herrera. The plans were followed and modified by Leonardo Turriano, Baltazar Álvares, Pedro Nunes Tinoco and João Nunes Tinoco.

The church of the Monastery has a majestic, austere façade that follows the later Renaissance style known as Mannerism. The façade, attributed to Baltazar Álvares, has several niches with statues of saints and is flanked by two towers (a model that would become widespread in Portugal). The lower part of the façade has three arches that lead to the galilee (entrance hall). The floorplan of the church reveals a Latin cross building with a one-aisled nave with lateral chapels. The church is covered by barrel vaulting and has a huge dome over the crossing. The general design of the church interior follows that of the prototypic church of Il Gesù, in Rome.

The beautiful main altarpiece is a Baroque work of the 18th century by one of the best Portuguese sculptors, Joaquim Machado de Castro. The altarpiece has the shape of a baldachin and is decorated with a large number of statues. The church also boasts several fine altarpieces in the lateral chapels.

The Monastery buildings are reached through a magnificent baroque portal, located beside the church façade. Inside, the entrance is decorated with blue-white 18th century tiles that tell the history of the Monastery, including scenes of the Siege of Lisbon in 1147. The ceiling of the room has an illusionistic painting executed in 1710 by the Italian Vincenzo Baccarelli. The sacristy of the Monastery is exuberantly decorated with polychromed marble and painting. The cloisters are also notable for the 18th century tiles that recount fables of La Fontaine, among other themes.

In 1834, after the religious orders were dissolved in Portugal, the monastery was transformed into a palace for the archbishops of Lisbon. Some decades later, King Ferdinand II transformed the monks' old refectory into a pantheon for the kings of the House of Braganza. Their tombs were transferred from the main chapel to this room.