St. Canute's Benedictine Abbey (Skt Knuds Kloster) was built to support the pilgrimage centre for the relics of the royal Danish martyr Saint Canute (died 1086), and was the successor to the priory of St. Mary and St. Alban, Denmark's earliest monastic house. Located in Odense, it was the island of Funen's most important medieval religious institution.
St. Canute's Abbey was founded in connection with the pilgrimage site at the tomb of Saint Canute, otherwise King Canute IV of Denmark, in 1096 when his remains were translated into the new church, St. Canute's Cathedral. The land was perhaps originally that of the royal farm at Odense where Canute, his brother Prince Benedict and their followers stayed until they sought sanctuary in the nearby Benedictine priory church of St. Alban's where they were killed.
Twelve monks were brought by King Erik I Ejegod from Evesham Abbey in England to build and operate the new monastery in Denmark. They are credited with planting the firstapple trees in Denmark in the abbey garden. Over the years the abbey acquired extensive land holdings on Funen making it a pre-eminent institution until the Reformation.
St. Canute's Cathedral formed the north side of the extensive abbey complex. Erik III Lam spent his last days in St. Canute's Abbey, where he died on 27 August 1147.
The abbey was sacked by the Wends in the same year, and the church and parts of the abbey were burned again in 1247 when Duke Abel 'laid Odense in ashes'. St. Canute's was rebuilt by 1301, and the Gothic Brick structure forms the core of the present St. Canute's Cathedral. Its form was unusual in that the shrine with the remains of Saint Canute and his brother, Prince Benedict, was placed beneath the high altar, so that pilgrims could visit it without interfering with the monks' services above them.
A cathedral school was first established in 1283. Later, additional schools were established with connections to other monastic houses in Odense. The most famous student wasHans Tausen, who later became one of Denmark's prominent Lutheran reformers.
The amount of income brought by pilgrims made it possible for the abbey to grow and expand its school and other works. In 1474 a quarrel between the Benedictine monks and Bishop Charles Rønnow resulted in the monks being driven from the abbey. They were able to return in 1489 upon orders from Pope Innocent III.
By the 1520s the winds of change were blowing in Denmark. Many Danes were weary of the economic burdens imposed by church tithes, fees and alms. Hans Tausen, a pupil ofMartin Luther, and others returned to Denmark determined to free the country from the influence, beliefs, and institutions of its long Roman Catholic past. Monastic houses, beginning with the Franciscans and Dominicans, were forced to close. In 1529 the last Roman Catholic bishop of Odense resigned. The Count's Feud decided the question to the advantage of the Lutherans. By the time Denmark became officially Lutheran in 1536, the great monasteries had reverted to the crown. The income properties were sold off or given away to nobles to whom Christian III was indebted or in return for services. In 1537 the three grammar schools associated with the former monasteries were consolidated.
The abbey buildings were among the largest in Odense until the 1800s and were used for a variety of purposes both private and public. The buildings were modified many times and older sections demolished and other structures built in their places.
In 1913 a fire destroyed the entire abbey complex and additions made over several hundred years. It was quickly decided that it should be rebuilt as a reminder of the historic nature of the site, without much thought to how the new building was to be used. It was completed in 1919 and eventually housed the Odense city library and reading room, which it remained until 1976 when the library was relocated. The building on the site of St. Canute's Abbey now houses Skt Knuds Kloster Historiens Hus, a museum of the site's history.References:
The Holy Trinity Column in Olomouc is a Baroque monument built in 1716–1754 in honour of God. The main purpose was a spectacular celebration of Catholic Church and faith, partly caused by feeling of gratitude for ending a plague, which struck Moravia between 1713 and 1715. The column was also understood to be an expression of local patriotism, since all artists and master craftsmen working on this monument were Olomouc citizens, and almost all depicted saints were connected with the city of Olomouc in some way. The column is the biggest Baroque sculptural group in the Czech Republic. In 2000 it was inscribed on the UNESCO World Heritage Sites list.
The column is dominated by gilded copper sculptures of the Holy Trinity accompanied by the Archangel Gabriel on the top and the Assumption of the Virgin beneath it.
The base of the column, in three levels, is surrounded by 18 more stone sculptures of saints and 14 reliefs in elaborate cartouches. At the uppermost stage are saints connected with Jesus’ earth life – his mother’s parents St. Anne and St. Joachim, his foster-father St. Joseph, and St. John the Baptist, who was preparing his coming – who are accompanied by St. Lawrence and St. Jerome, saints to whom the chapel in the Olomouc town hall was dedicated. Three reliefs represent the Three theological virtues Faith, Hope, and Love.
Below them, the second stage is dedicated to Moravian saints St. Cyril and St. Methodius, who came to Great Moravia to spread Christianity in 863, St. Blaise, in whose name one of the main Olomouc churches is consecrated, and patrons of neighbouring Bohemia St. Adalbert of Prague and St. John of Nepomuk, whose following was very strong there as well.
In the lowest stage one can see the figures of an Austrian patron St. Maurice and a Bohemian patron St. Wenceslas, in whose names two important Olomouc churches were consecrated, another Austrian patron St. Florian, who was also viewed as a protector against various disasters, especially fire, St. John of Capistrano, who used to preach in Olomouc, St. Anthony of Padua, a member of the Franciscan Order, which owned an important monastery in Olomouc, and St. Aloysius Gonzaga, a patron of students. His sculpture showed that Olomouc was very proud of its university. Reliefs of all twelve apostles are placed among these sculptures.
The column also houses a small chapel inside with reliefs depicting Cain's offering from his crop, Abel's offering of firstlings of his flock, Noah's first burnt offering after the Flood, Abraham's offering of Isaac and of a lamb, and Jesus' death. The cities of Jerusalem and Olomouc can be seen in the background of the last mentioned relief.