St. Canute's Benedictine Abbey (Skt Knuds Kloster) was built to support the pilgrimage centre for the relics of the royal Danish martyr Saint Canute (died 1086), and was the successor to the priory of St. Mary and St. Alban, Denmark's earliest monastic house. Located in Odense, it was the island of Funen's most important medieval religious institution.
St. Canute's Abbey was founded in connection with the pilgrimage site at the tomb of Saint Canute, otherwise King Canute IV of Denmark, in 1096 when his remains were translated into the new church, St. Canute's Cathedral. The land was perhaps originally that of the royal farm at Odense where Canute, his brother Prince Benedict and their followers stayed until they sought sanctuary in the nearby Benedictine priory church of St. Alban's where they were killed.
Twelve monks were brought by King Erik I Ejegod from Evesham Abbey in England to build and operate the new monastery in Denmark. They are credited with planting the firstapple trees in Denmark in the abbey garden. Over the years the abbey acquired extensive land holdings on Funen making it a pre-eminent institution until the Reformation.
St. Canute's Cathedral formed the north side of the extensive abbey complex. Erik III Lam spent his last days in St. Canute's Abbey, where he died on 27 August 1147.
The abbey was sacked by the Wends in the same year, and the church and parts of the abbey were burned again in 1247 when Duke Abel 'laid Odense in ashes'. St. Canute's was rebuilt by 1301, and the Gothic Brick structure forms the core of the present St. Canute's Cathedral. Its form was unusual in that the shrine with the remains of Saint Canute and his brother, Prince Benedict, was placed beneath the high altar, so that pilgrims could visit it without interfering with the monks' services above them.
A cathedral school was first established in 1283. Later, additional schools were established with connections to other monastic houses in Odense. The most famous student wasHans Tausen, who later became one of Denmark's prominent Lutheran reformers.
The amount of income brought by pilgrims made it possible for the abbey to grow and expand its school and other works. In 1474 a quarrel between the Benedictine monks and Bishop Charles Rønnow resulted in the monks being driven from the abbey. They were able to return in 1489 upon orders from Pope Innocent III.
By the 1520s the winds of change were blowing in Denmark. Many Danes were weary of the economic burdens imposed by church tithes, fees and alms. Hans Tausen, a pupil ofMartin Luther, and others returned to Denmark determined to free the country from the influence, beliefs, and institutions of its long Roman Catholic past. Monastic houses, beginning with the Franciscans and Dominicans, were forced to close. In 1529 the last Roman Catholic bishop of Odense resigned. The Count's Feud decided the question to the advantage of the Lutherans. By the time Denmark became officially Lutheran in 1536, the great monasteries had reverted to the crown. The income properties were sold off or given away to nobles to whom Christian III was indebted or in return for services. In 1537 the three grammar schools associated with the former monasteries were consolidated.
The abbey buildings were among the largest in Odense until the 1800s and were used for a variety of purposes both private and public. The buildings were modified many times and older sections demolished and other structures built in their places.
In 1913 a fire destroyed the entire abbey complex and additions made over several hundred years. It was quickly decided that it should be rebuilt as a reminder of the historic nature of the site, without much thought to how the new building was to be used. It was completed in 1919 and eventually housed the Odense city library and reading room, which it remained until 1976 when the library was relocated. The building on the site of St. Canute's Abbey now houses Skt Knuds Kloster Historiens Hus, a museum of the site's history.References:
The Château de Chaumont was founded in the 10th century by Odo I, Count of Blois. The purpose was to protect his lands from attacks from his feudal rivals, Fulk Nerra, Count of Anjou. On his behalf the Norman Gelduin received it, improved it and held it as his own. His great-niece Denise de Fougère, having married Sulpice d'Amboise, passed the château into the Amboise family for five centuries.
Pierre d'Amboise unsuccessfully rebelled against King Louis XI and his property was confiscated, and the castle was dismantled on royal order in 1465. It was later rebuilt by Charles I d'Amboise from 1465–1475 and then finished by his son, Charles II d'Amboise de Chaumont from 1498–1510, with help from his uncle, Cardinal Georges d'Amboise; some Renaissance features were to be seen in buildings that retained their overall medieval appearance. The château was acquired by Catherine de Medici in 1550. There she entertained numerous astrologers, among them Nostradamus. When her husband, Henry II, died in 1559 she forced his mistress, Diane de Poitiers, to exchange Château de Chaumont for Château de Chenonceau which Henry had given to de Poitiers. Diane de Poitiers only lived at Chaumont for a short while.
Later Chaumont has changed hands several times. Paul de Beauvilliers bought the château in 1699, modernized some of its interiors and decorated it with sufficient grandeur to house the duc d'Anjou on his way to become king of Spain in 1700. Monsieur Bertin demolished the north wing to open the house towards the river view in the modern fashion.
In 1750, Jacques-Donatien Le Ray purchased the castle as a country home where he established a glassmaking and pottery factory. He was considered the French "Father of the American Revolution" because he loved America. However, in 1789, the new French Revolutionary Government seized Le Ray's assets, including his beloved Château de Chaumont.
The castle has been classified as a Monument historique since 1840 by the French Ministry of Culture. The Château de Chaumont is currently a museum and every year hosts a Garden Festival from April to October where contemporary garden designers display their work in an English-style garden.