The present Odense Cathedral dates primarily from the 13th century, but it was built on the foundations of an earlier travertine church that was built in 1095. During the civil war between Eric IV and his brother, Abel, Odense and the cathedral were burned down in 1247. The present church was constructed in several phases to replace the aging and inadequate stone church in about 1300 by Bishop Gisico (1287–1300). The new cathedral was built in Gothic style with its typical pointed arches and high vaulted ceilings. The building material of choice for the time was over-sized red brick which was cheaper and easier to work with than the porous stone available. Portions of the stone cathedral were taken down and the new building expanded around the old. In all it took approximately two hundred years to complete the cathedral, which was finally dedicated on 30 April 1499.
The church is dedicated to St. Knud, aka King Canute IV. In 1086, Canute was murdered by Jutish peasants angry at his heavy taxation. He was slain along with his brother Benedict and 17 members of his entourage while kneeling at the altar of the nearby St. Alban's Church, where they had taken refuge. The remains of the church have been excavated in the city park. When the first church of St. Canute was completed, a three day fast was proclaimed for the entire kingdom and the remains of Canute and Benedict were moved to the cathedral. It was believed that if the king was truly a saint that the shroud should be set on fire and the body would not be harmed. The shroud of Saint Canute was set alight, but the fire indeed left no mark upon the body of the king.
Odense Cathedral is the purest example of Gothic architecture in Denmark. Inside, it boasts a splendid 16th-century altarpiece by Claus Berg. Other highlights of the cathedral are definitely the reliquaries containing the skeletons of King St. Knud and his brother Benedikt. The skeleton believed to be that of Knud has undergone forensic investigation and it bears evidence of a club swing from behind - supporting the tradition that Canute was murdered while kneeling at prayer.References:
The Trinity Lavra of St. Sergius is a world famous spiritual centre of the Russian Orthodox Church and a popular site of pilgrimage and tourism. It is the most important working Russian monastery and a residence of the Patriarch. This religious and military complex represents an epitome of the growth of Russian architecture and contains some of that architecture’s finest expressions. It exerted a profound influence on architecture in Russia and other parts of Eastern Europe.
The Trinity Lavra of St. Sergius, was founded in 1337 by the monk Sergius of Radonezh. Sergius achieved great prestige as the spiritual adviser of Dmitri Donskoi, Great Prince of Moscow, who received his blessing to the battle of Kulikov of 1380. The monastery started as a little wooden church on Makovets Hill, and then developed and grew stronger through the ages.
Over the centuries a unique ensemble of more than 50 buildings and constructions of different dates were established. The whole complex was erected according to the architectural concept of the main church, the Trinity Cathedral (1422), where the relics of St. Sergius may be seen.
In 1476 Pskovian masters built a brick belfry east of the cathedral dedicated to the Descent of the Holy Spirit on the Apostles. The church combines unique features of early Muscovite and Pskovian architecture. A remarkable feature of this church is a bell tower under its dome without internal interconnection between the belfry and the cathedral itself.
The Cathedral of the Assumption, echoing the Cathedral of the Assumption in the Moscow Kremlin, was erected between 1559 and 1585. The frescoes of the Assumption Cathedral were painted in 1684. At the north-western corner of the Cathedral, on the site of the western porch, in 1780 a vault containing burials of Tsar Boris Godunov and his family was built.
In the 16th century the monastery was surrounded by 6 meters high and 3,5 meters thick defensive walls, which proved their worth during the 16-month siege by Polish-Lithuanian invaders during the Time of Trouble. They were later strengthened and expanded.
After the Upheaval of the 17th century a large-scale building programme was launched. At this time new buildings were erected in the north-western part of the monastery, including infirmaries topped with a tented church dedicated to Saints Zosima and Sawatiy of Solovki (1635-1637). Few such churches are still preserved, so this tented church with a unique tiled roof is an important contribution to the Lavra.
In the late 17th century a number of new buildings in Naryshkin (Moscow) Baroque style were added to the monastery.
Following a devastating fire in 1746, when most of the wooden buildings and structures were destroyed, a major reconstruction campaign was launched, during which the appearance of many of the buildings was changed to a more monumental style. At this time one of the tallest Russian belfries (88 meters high) was built.
In the late 18th century, when many church lands were secularized, the chaotic planning of the settlements and suburbs around the monastery was replaced by a regular layout of the streets and quarters. The town of Sergiev Posad was surrounded by traditional ramparts and walls. In the vicinity of the monastery a number of buildings belonging to it were erected: a stable yard, hotels, a hospice, a poorhouse, as well as guest and merchant houses. Major highways leading to the monastery were straightened and marked by establishing entry squares, the overall urban development being oriented towards the centrepiece - the Ensemble of the Trinity Sergius Lavra.
In 1993, the Trinity Lavra was inscribed on the UNESCO World Heritage List.