Egeskov Castle is Europe"s best preserved Renaissance water castle with a history dating to the 14th century. The castle structure was erected by Frands Brockenhuus in 1554. Due to the troubles caused by the civil war known as the Count"s Feud, general civil unrest, and a civil war introducing the Protestant Reformation, most Danish noblemen built their homes as fortifications. The castle is constructed on oaken piles and located in a small lake with a maximum depth of 5 metres. Originally, the only access was by means of a drawbridge. According to legend, it took an entire forest of oak trees to build the foundation, hence the name Egeskov (“oak forest”).
The castle consists of two long buildings connected by a thick double wall, allowing defenders to abandon one house and continue fighting from the other. The double wall is over one meter thick and contains secret staircases and a well. Defenders were able to attack an enemy"s flanks from the two round corner towers. Other medieval defences include artillery ports, scalding holes and arrow slits. The bricks composing the castle are of an oversized medieval type sometimes called 'monks bricks'. The conical towers are constructed in a series of separate panels.
The architecture includes depressed and round-arched windows, round-arched blank arcading within the gables, and a double string course between the high cellar and the ground floor. The structure contains some of the early indoor plumbing design first used in Europe with vertical shafts for waste. The thick double wall also contains a water well which is accessed from the servants kitchen in the east house. Several of the large rooms have massive parallel exposed beams with some end carving.
Contents of the castle include a massive iron chest from at least as early as the 16th century, which derived from Hvedholm Castle, a property earlier owned by the Egeskov estate about ten kilometers to the west.
Numerous oil paintings are found within the castle including a large painting in the great hall on the first floor of Niels Juel, who defeated the Swedish force in the Battle of Køge Bay in the year 1677.
Other buildings belonging to Egeskov include Ladegården, a thatched half-timbered building which is now part of the museum. Other buildings are used by the museum and for farming. Surrounding the castle is an old park, covering 20 hectares of land. The park is divided into a number of gardens. The renaissance garden features fountains, a gravel path and topiary figures. The fuchsia garden, one of the largest in Europe, contains 104 different species. Other gardens near the castle include an English garden, a water garden, an herb garden, a vegetable garden, and a peasant"s garden (bondehave). The gardens also feature four hedge mazes. The oldest is a beech maze several hundreds of years old. This garden is trimmed every year to prevent the trees from dying. The newest maze is the world"s largest bamboo maze. It features a Chinese tower in the centre, and a bridge from the tower provides the exit from the maze. The parks feature a three-meter-tall sundial designed by Danish poet and mathematician, Piet Hein.
The estate includes an additional eight square kilometres; 2.5 square kilometres is forest, with the rest being farmland. The estate has belonged to the Ahlefeldt-Laurvig-Bille family since 1784. In 1986, a full-sized replica of the castle was built in Hokkaidō, Japan, to hold anaquarium. This was constructed with the permission of the Egeskov"s owners at the time, Count Claus and Countess Louisa Ahlefeldt-Laurvig-Bille.
Egeskov is today a home to the several museums, like vintage automobile, motorcycle and flying vehicles collection. Most of the castle is open to the public, except for the areas used by Count Michael and Countess Caroline Ahlefeldt-Laurvig-Bille. The museum of agriculture and the horse wagon collection is located in the building Ladegård mentioned previously.References:
The famous Italian Medici family have given two queens to France: Catherine, the spouse of Henry II, and Marie, widow of Henry IV, who built the current Luxembourg palace. Maria di Medici had never been happy at the Louvre, still semi-medieval, where the fickle king, did not hesitate to receive his mistresses. The death of Henry IV, assassinated in 1610, left the way open for Marie's project. When she became regent, she was able to give special attention to the construction of an imposing modern residence that would be reminiscent of the Palazzo Pitti and the Boboli Gardens in Florence, where she grew up. The development of the 25-hectare park, which was to serve as a jewel-case for the palace, began immediately.
The architect, Salomon de Brosse, began the work in 1615. Only 16 years later was the palace was completed. Palace of Luxembourg affords a transition between the Renaissance and the Classical period.
In 1750, the Director of the King's Buildings installed in the wing the first public art-gallery in France, in which French and foreign canvases of the royal collections are shown. The Count of Provence and future Louis XVIII, who was living in Petit Luxembourg, had this gallery closed in 1780: leaving to emigrate, he fled from the palace in June 1791.
During the French Revolution the palace was first abandoned and then moved as a national prison. After that it was the seat of the French Directory, and in 1799, the home of the Sénat conservateur and the first residence of Napoleon Bonaparte, as First Consul of the French Republic. The old apartments of Maria di Medici were altered. The floor, which the 80 senators only occupied in 1804, was built in the middle of the present Conference Hall.
Beginning in 1835 the architect Alphonse de Gisors added a new garden wing parallel to the old corps de logis, replicating the look of the original 17th-century facade so precisely that it is difficult to distinguish at first glance the old from the new. The new senate chamber was located in what would have been the courtyard area in-between.
The new wing included a library (bibliothèque) with a cycle of paintings (1845–1847) by Eugène Delacroix. In the 1850s, at the request of Emperor Napoleon III, Gisors created the highly decorated Salle des Conférences, which influenced the nature of subsequent official interiors of the Second Empire, including those of the Palais Garnier.
During the German occupation of Paris (1940–1944), Hermann Göring took over the palace as the headquarters of the Luftwaffe in France, taking for himself a sumptuous suite of rooms to accommodate his visits to the French capital. Since 1958 the Luxembourg palace has been the seat of the French Senate of the Fifth Republic.