Lindholm Høje (Lindholm Hills) is a major Viking burial site and former settlement situated to the north of and overlooking the city of Aalborg. The southern (lower) part of Lindholm Høje dates to 1000 – 1050 AD, the Viking Age, while the northern (higher) part is significantly earlier, dating back to the 5th century AD. An unknown number of rocks were removed from the site over the centuries, many, for example, being broken up in the 19th century for use in building roads. The Viking Age part of the burial ground suffered more from this than the earlier part. The first major archaeological excavation, which ultimately encompassed 589 of the approximately 700 graves, began in 1952, although excavations had been conducted as early as 1889.
Remains of villages have been found. The settlement is at an important crossing over the Limfjord, a stretch of water which divides what is now Jutland. During the Viking period, it was only possible to make the crossing at this point or much further along the fjord at Aggersund, because of the swamps which then edged the fjord on either side.
The settlement was abandoned in approximately 1200 AD, probably due to sand drifting from the western coast, which was a consequence of extensive deforestation and the exposed sand then being blown inland by the rough westerly winds. The sand which covered the site served to protect it in large part over the intervening centuries.
Because of its location and transportation links, the settlement was obviously a significant centre for trade at the time, and this is borne out by glassware, gems and Arab coins found at the site. An 11th century silver Urnes style brooch found in one grave is the model for bronze copies that were being cast in a Lund jeweler's workshop in the early 12th century.
The majority of the burials discovered were cremations, although a number of inhumations were also discovered, and it appeared that the tendency towards cremation or burial depended upon the period, cremation supplanting inhumation in the Viking Age. The pre-Viking Age burials were under mounds. Of the later graves, some women's graves appear to be distinguished by placement of rocks in a circle or oval, but most of the graves are marked with rocks either in a triangle or in the traditional shape of a boat (stone ship), indicating the importance that the Vikings placed upon water. The ship settings constitute the largest assemblage of well preserved examples extant. The shape and size of the grave outline apparently indicate the status of the person – all of which is reminiscent of the ship burials of the Anglo-Saxons, Norwegian and Swedish Vikings and other ancient Germanic societies.
A museum adjacent to the site donated by Aalborg Portland A/S cement company to commemorate their centennial was opened in 1992. In 2008 the museum was enlarged, and a new exhibition of pre-history in the area of the Limfjord opened.References:
The Church of the Savior on Spilled Blood is one of the main sights of St. Petersburg. The church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.
Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.
The Church contains over 7500 square metres of mosaics — according to its restorers, more than any other church in the world. The interior was designed by some of the most celebrated Russian artists of the day — including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.
In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.