Lindholm Høje (Lindholm Hills) is a major Viking burial site and former settlement situated to the north of and overlooking the city of Aalborg. The southern (lower) part of Lindholm Høje dates to 1000 – 1050 AD, the Viking Age, while the northern (higher) part is significantly earlier, dating back to the 5th century AD. An unknown number of rocks were removed from the site over the centuries, many, for example, being broken up in the 19th century for use in building roads. The Viking Age part of the burial ground suffered more from this than the earlier part. The first major archaeological excavation, which ultimately encompassed 589 of the approximately 700 graves, began in 1952, although excavations had been conducted as early as 1889.
Remains of villages have been found. The settlement is at an important crossing over the Limfjord, a stretch of water which divides what is now Jutland. During the Viking period, it was only possible to make the crossing at this point or much further along the fjord at Aggersund, because of the swamps which then edged the fjord on either side.
The settlement was abandoned in approximately 1200 AD, probably due to sand drifting from the western coast, which was a consequence of extensive deforestation and the exposed sand then being blown inland by the rough westerly winds. The sand which covered the site served to protect it in large part over the intervening centuries.
Because of its location and transportation links, the settlement was obviously a significant centre for trade at the time, and this is borne out by glassware, gems and Arab coins found at the site. An 11th century silver Urnes style brooch found in one grave is the model for bronze copies that were being cast in a Lund jeweler's workshop in the early 12th century.
The majority of the burials discovered were cremations, although a number of inhumations were also discovered, and it appeared that the tendency towards cremation or burial depended upon the period, cremation supplanting inhumation in the Viking Age. The pre-Viking Age burials were under mounds. Of the later graves, some women's graves appear to be distinguished by placement of rocks in a circle or oval, but most of the graves are marked with rocks either in a triangle or in the traditional shape of a boat (stone ship), indicating the importance that the Vikings placed upon water. The ship settings constitute the largest assemblage of well preserved examples extant. The shape and size of the grave outline apparently indicate the status of the person – all of which is reminiscent of the ship burials of the Anglo-Saxons, Norwegian and Swedish Vikings and other ancient Germanic societies.
A museum adjacent to the site donated by Aalborg Portland A/S cement company to commemorate their centennial was opened in 1992. In 2008 the museum was enlarged, and a new exhibition of pre-history in the area of the Limfjord opened.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.