Dronninglund Castle is a former royal residence located in the northern part of the Jutland Peninsula. Its history goes back to the 12th century, when it was the Benedictine monastery of Hundslund Priory. After the last nuns left it in 1581, it was first owned by the Lindenow family. In 1690, Queen Charlotte Amalie acquired it. It is from her that the palace takes the name Dronninglund, meaning 'queens forest'.
The priory was established about 1100 on a royal farm given by King Erik II Emune. The priory was built north of Aalborg for Benedictine nuns. It was dedicated to St. Mary and St. Clement (both names were used in documents).
The original church was built in Romanesque style with rounded arches and a flat timber ceiling. The old church was replaced in 1350 and then renovated several times into the remarkable structure which can still be seen today in its late Gothic form.
The priory had three ranges attached to the church, so that it formed an enclosure to separate the nuns from the rest of the community. One range was used as a dormitory, a second for a refectory and cellars, and the third for lay sisters and unmarried noble women who lived at the priory.
Margaret I gave income properties to Hundslund in the early 14th century, and her favor brought additional gifts from noble families, making the abbey the owner of farms, mills, and other rent property for the sustenance of the abbey. It became one of the largest landowners in northern Jutland.
Hundslund Priory was involved in a lengthy lawsuit with State Councillor Anders Banner over the boundary between his estate and priory lands in 1455. The priory accused Banner of ordering his servants to move the boundary staves and then hired 25 witnesses at the local assembly to say that no one had claimed the disputed land for more than 60 years. Banner was excommunicated by the Bishop of Børglum for his intransigence. The suit was mediated by King Christoffer I at Kalundborg in 1468.
Anders Gyldenstierne was appointed superintendent of the secularized priory in 1531. In the confusion during Skipper Clement's 1534–1535 rebellion, the nuns were literally thrown out of the priory in 1535 by the last Catholic Bishop of Børglum, Stygge Krumpen. Krumpen occupied the priory with his retainters. Gyldenstierne complained on behalf of the nuns to Christian III. The king wanted to strip Bishop Krumpen of his power in order to get control of the State Council and establish the Lutheran Ordinances. The king ordered him out of the priory and restored it to Anders Gyldenstierne and ordered him to keep an eye out for the king's interest in the estate until 1555. The abbey became a home for former nuns and unmarried women until 1572. The entire archive of the priory was transferred to Aalborg Castle, where it was inventoried, but all documents were lost. A few letters regarding Hundslund were preserved in other archives, including the letters of gift from Margaret I.
in 1561 the mortgage on the abbey was paid off by one of Denmark's leading noblemen, Corfitz Uhlfeldt. Hundslund Priory passed into private ownership in 1581, when Frederik II sold the abbey and its properties to the nobleman Johannes Lindenow.References:
The Church of the Savior on Spilled Blood is one of the main sights of St. Petersburg. The church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.
Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.
The Church contains over 7500 square metres of mosaics — according to its restorers, more than any other church in the world. The interior was designed by some of the most celebrated Russian artists of the day — including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.
In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.