Mariager Abbey was founded in 1430 on a hill overlooking the ferry across Mariager Fjord by the Bridgettines, the last monastic order to reach Denmark before the Reformation, on land acquired in the late 1420s from the dissolved Randers Abbey. Tradition has it that the abbey was founded by several noble families in Eastern Jutland. Sources disagree on whether the abbey was founded from Maribo Abbey or from the Bridgettine mother house, Vadstena Abbey in Sweden.
Papal permission for a double abbey was granted in 1446. Funds were short however and the abbey was still uncompleted in 1468 when King Christian I wrote to the pope asking for help in completing it. Christian I contributed himself by giving the Order the right of harbourage over the landing place next to Hobro Vig in 1449. Subsequent kings of Denmark -Hans, Christian I and Frederick I - all provided additional income through grants of rent rights over the next few decades. Further income came from noble families who followed the royal lead by giving farms and income properties to the abbey. At its high point the abbey owned farms, businesses, parts of towns and income from churches.
The abbey church rapidly became a pilgrimage site where people could come to receive absolution for their sins. It has been suggested that the source of this fame was because of relics deposited for the veneration of the faithful, perhaps something connected to Saint Bridget but to date no specific evidence of this has been located. The name 'Mariager' ('Maria's Field') was first used in 1446 when the pope officially recognized the establishment of the abbey. Nobles, merchants, and wealthy farmers began buying burial sites or building chapels, so they could be buried on the grounds. The monastery received properties and donations from people for services. The town of Mariager grew up around the monastery, which was influential in the region due to the many farms it owned.
The Gothic abbey church was completed about 1480 and was one of the largest churches in Denmark. It was 75 m long, 32 m wide and 25m high in the nave. The two side aisles were 15 m high. It was unusual because it had two choirs, the larger on the west for the nuns, and a smaller on the east for the monks.
The Bridgettines were the last monastic order to appear in Denmark. Consequently, Mariager Abbey existed for just over a hundred years before the majority of Danes rejected the institutions and customs of their long Catholic past. During the Reformation Mariager Abbey became crown property, in 1536, but was allowed to continue to operate until 1588, part of the time as a home for unmarried noble women. The church became a Lutheran parish church. The estates were sold or given away by the crown and the buildings fell into disrepair.
In 1721-1722 and 1724 most of the dilapidated abbey buildings were demolished and the materials used for repairing homes and farm buildings. The north range was converted into a residence for the parish bailiff and then restored in the 1891. The influence of the town of Mariager was greatly reduced, and at one time only 400 people lived there.
In 1788 the former abbey church was partially demolished and the current building was constructed around the west choir. The resulting church was about one quarter of the size of the medieval church. The current church serves as a partial reminder of the magnificent buildings that once stood on the hill above the fjord.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.