The date of the present St. Brelade's is unknown, but it is mentioned in deeds of patronage. In AD 1035, Robert of Normandy confirmed the patronage of the church to the monastery of Montivilliers, which shows that the church was here before 1035. The chancel is the oldest part of the building. The original building extended some six feet into the nave. It was then only a small monastic chapel. Early in the 12th century St. Brelade's became a parish church and in the 14th–15th centuries, the roof was raised some two-and-a-half feet higher to a Gothic pitch. The roof of the Fishermen's Chapel was raised at the same time.
The church of the 12th century was cruciform in structure, consisting of a chancel, a nave (built in two periods) and two transepts—the latter forming the two arms. At a later date, perhaps a century later, the chancel aisle was built, and after that the nave aisle. The date of the tower is uncertain. It is, however, older than the chancel.
The font disappeared during the Reformation and was found on the slopes near the church, hidden in bracken and gorse, in 1840 and restored to the church. An ornate wooden cover for the font was provided in memory of H. G. Shepard, long-time warden at the church. A processional cross dating from the 13th century is to be seen in the Lady Chapel; this was found buried in the church. The stained glass is the work of Henry Thomas Bosdet and replaced plain glass windows dating from the Reformation iconoclasm.
Before the restoration of Balleine in the 1890s, the whole of the interior stone work was covered in plaster which was whitewashed; the plaster was removed to show the granite, and the whole re-pointed with cement. Balleine's restoration also saw Art Nouveau woodwork in the choir stalls and pulpit and modern paving in the chancel; it is made of five different types of Jersey granite and represents the waves breaking on the sea-shore.
The legend has the site of the church being placed in the centre of St Brelade's Bay and moved by night by fairy folk from their sacred site to where it now stands, until the workmen got the message and left it where it now stands.References:
The original Cochem Castle, perched prominently on a hill above the Moselle River, served to collect tolls from passing ships. Modern research dates its origins to around 1100. Before its destruction by the French in 1689, the castle had a long and fascinating history. It changed hands numerous times and, like most castles, also changed its form over the centuries.
In 1151 King Konrad III ended a dispute over who should inherit Cochem Castle by laying siege to it and taking possession of it himself. That same year it became an official Imperial Castle (Reichsburg) subject to imperial authority. In 1282 it was Habsburg King Rudolf’s turn, when he conquered the Reichsburg Cochem and took it over. But just 12 years later, in 1294, the newest owner, King Adolf of Nassau pawned the castle, the town of Cochem and the surrounding region in order to finance his coronation. Adolf’s successor, Albrecht I, was unable to redeem the pledge and was forced to grant the castle to the archbishop in nearby Trier and the Electorate of Trier, which then administered the Reichsburg continuously, except for a brief interruption when Trier’s Archbishop Balduin of Luxembourg had to pawn the castle to a countess. But he got it back a year later.
The Electorate of Trier and its nobility became wealthy and powerful in large part due to the income from Cochem Castle and the rights to shipping tolls on the Moselle. Not until 1419 did the castle and its tolls come under the administration of civil bailiffs (Amtsmänner). While under the control of the bishops and electors in Trier from the 14th to the 16th century, the castle was expanded several times.
In 1688 the French invaded the Rhine and Moselle regions of the Palatinate, which included Cochem and its castle. French troops conquered the Reichsburg and then laid waste not only to the castle but also to Cochem and most of the other surrounding towns in a scorched-earth campaign. Between that time and the Congress of Vienna, the Palatinate and Cochem went back and forth between France and Prussia. In 1815 the western Palatinate and Cochem finally became part of Prussia once and for all.
Louis Jacques Ravené (1823-1879) did not live to see the completion of his renovated castle, but it was completed by his son Louis Auguste Ravené (1866-1944). Louis Auguste was only two years old when construction work at the old ruins above Cochem began in 1868, but most of the new castle took shape from 1874 to 1877, based on designs by Berlin architects. After the death of his father in 1879, Louis Auguste supervised the final stages of construction, mostly involving work on the castle’s interior. The castle was finally completed in 1890. Louis Auguste, like his father, a lover of art, filled the castle with an extensive art collection, most of which was lost during the Second World War.
In 1942, during the Nazi years, Ravené was forced to sell the family castle to the Prussian Ministry of Justice, which turned it into a law school run by the Nazi government. Following the end of the war, the castle became the property of the new state of Rheinland-Pfalz (Rhineland-Palatinate). In 1978 the city of Cochem bought the castle for 664,000 marks.